Showing posts with label Josh Brolin. Show all posts
Showing posts with label Josh Brolin. Show all posts

Saturday, 29 June 2013

Wall Street: Money Never Sleeps (2010); drama film review

DVD cover artwork for the drama film Wall Street: Money Never Sleeps.

Financial Friction by Linh

Wall Street: Money Never Sleeps, director Oliver Stone’s sequel to his 1987 original hit film Wall Street, matches the timbre of its predecessor but with a few more textured layers in characterisation and story plots. The sequel works well as a continuation of the previous film, yet is able to hold its own as a stand alone film.  It is mostly a human drama of love, deception, lies and vengeance, set against the backdrop of the financial sector where the almighty dollar is King.

MONEY MENTOR: Gordon Gekko (Michael Douglas) shares words of wisdom with Jake Moore (Shia LaBeouf) in the film Wall Street: Money Never Sleeps. Image: Twentieth Century Fox.

The sequel begins eight years after Gordon Gekko (Michael Douglas) is released from prison in 2001 before it fast forwards to 2008 when Wall Street is on the brink of financial collapse.  Gekko is seemingly a changed man with a new outlook on money matters and a self-penned book to promote, when a young investment broker named Jake Moore (Shia LaBeouf) approaches him to seek advice in bringing down his rival Bretton James (Josh Brolin), whom he believes is responsible for Jake’s mentor’s (Frank Langella) death. Gekko’s estranged daughter Winnie (Carey Mulligan) is engaged to Jake and he agrees to take on Jake as his protégé on the condition he attempts to reunite him with Winnie. However, both Gekko and Jake have ulterior motives for the pact.

LOUIS'S LOSS: Jake (Shia LaBeouf) learns there is a crisis looming at Louis' (Frank Langella) banking firm in the film Wall Street: Money Never Sleeps. Image: Twentieth Century Fox.

Michael Douglas (Solitary Man, Behind The Candelabra) slips into his iconic Oscar-winning role of Gordon Gekko with exceptional ease and shows the idealistic young Jake how the “game” is played in the high stakes world of Wall Street. The former slick-haired and smooth-talking Gekko returns as an ageing, philosophical sage whose stint in prison has taught him that “time is life’s greatest asset”. Gekko attempts to reconcile with his daughter Winnie through his new protégé, Jake Moore, and manages to exert his influences on him to seek retribution.  Douglas pulls off the role with unrelenting charm and an inescapable hint that beneath the reformed and relaxed veneer, there still lurks the “greed-is-good” Gekko of the past.

Shia LaBeouf (The Company You Keep, The Necessary Death of Charlie Countryman) gives an unexpectedly solid and commendable performance as the young hotshot Jake Moore. Jake rose from humble beginnings on Long Island to land himself in the fast-paced and frenetic floor of the stock exchange. He also grabs every opportunity to introduce green energy to potential financiers, which he calls fusion simulation. Jake becomes suspicious after his banking firm Keller Zabel Investment, goes under and his boss and mentor, Louis Zabel, makes “an honourable exit” from the problems of his beleaguered company. Jake seeks to expose Bretton James for Louis's demise by befriending him and joining Bretton's company, Churchill Schwartz, to pursue funding for his green energy project. LaBeouf pumps everything he could into the innocent-looking but gutsy character Jake Moore, and he exhibits acting skills that places him amongst the best of Hollywood’s crop of young stars.

GREEN GENERATION: Jake (Shia LaBeouf) and Winnie (Carey Mulligan) share a passion for green energy in the film Wall Street: Money Never Sleeps. Image: Twentieth Century Fox.

Academy Award nominee and talented British actress Carey Mulligan (An Education, The Great Gatsby) plays Gekko’s daughter Winnie, who is a writer and advocate for green energy on a left-wing blogsite called ‘The Frozen Truth’. Winnie has drifted apart from her father while he has been in prison and she no longer tolerates his manipulative behaviour. His re-appearance in her life via Jake stirs up past pains and she suspects Gekko of sinister intentions. Winnie represents what should be the future of the world’s investment and legacy for the next generation. She believes money would be better invested into providing the world with clean, inexpensive and green energy instead of bankrolled into stocks and shares that may be the next “bubble to burst”. This is an obvious reference to the debate on global warming and climate change policies of world leaders which Oliver Stone has cleverly delivered through the characterisation of Winnie. Mulligan is superb as Winnie, with an intelligent and sensitive portrayal of a young woman trying to make a difference in the world.

The antagonist in the film is Josh Brolin (Men in Black 3, Labor Day), as the predatory piranha Bretton James. Bretton's past deeds have contributed to Gekko's imprisonment and this time, his actions have caused the collapse of banking institution Keller Zabel Investments. Bretton’s dastardly deeds and his double-dipping in the shares market lands him in trouble. Brolin is brilliant as Gekko's former rival and the Gekko-like power broker whose rumours send the stock markets in a frenzy. Brolin is capable of epitomising evil with a glint in one eye and a polysemic smirk.

BARRACUDA BANKERS: Bretton (Josh Brolin) and Jules (Eli Wallach) attempt to force Keller Zabel Investments into insolvency in the film Wall Street: Money Never Sleeps. Image: Twentieth Century Fox.

The supporting cast is excellent and includes Frank Langella (Robot and Frank, Muppets Most Wanted) as Louis Zabel, the manager of Keller Zabel Investments–possibly named after Oliver Stone’s father- and looks smart in a bow tie and trouser braces. Louis is a father figure to Jake and mentored him in the business of finance and economics, even paying for Jake's university degree. Langella makes Louis believable as a stalwart who possesses old-school ways of honesty, trust and integrity in financial matters that no longer seem pertinent in the current climate of financial wheeling and dealing.

Susan Sarandon (Robot and Frank, The Calling) shines in her scenes as Jake’s mother, Sylvia, who is a nurse turned real estate agent and experiences the “greed” through sustaining a life beyond her means, and constantly borrows money from her son to prop up her business. She represents the everyday people who are stung by the impact of the global financial crisis when the housing market crashes with many going into foreclosure. Her appearances in the film are few and her lack of visibility may suggest the actual “culprits” of the economic downturn are the “game players” on Wall Street and not the ordinary, low-to-middle income citizens.

Eli Wallach is memorable as the laconic but influential magnate Jules Steinhardt, who is also the mentor of Bretton James. Jules has experienced the devastation of the stock market crash in 1929 and knows the financial markets will not recover without government assistance. Wallach gives Jules an eccentric quality by improvising the character’s lines to include whistles.

Cameo appearances throughout the film add some interest such as Charlie Sheen’s return in one scene as Bud Fox at a charity event and director Oliver Stone in at least three scenes as an investor. Shameless product placement is woven into the narrative when Louis buys a pack of Lay’s potato chips; Jake buys Winnie a Bvlgari   diamond ring; Bretton gives Jake a Ducati motorcycle; Jake presents his Chinese investors with bottles of Johnnie Walker Blue Label scotch whisky; and Gordon shouts Jake a bottle of Heineken beer.

CORPORATE CHICANERY: Jake (Shia LaBeouf), Bretton (Josh Brolin) and Gordon (Michael Douglas) swap trading tips in the film Wall Street: Money Never Sleeps. Image: Twentieth Century Fox.

The film features original songs by former ‘Talking Heads’ frontman and songwriter David Byrne and Brian Eno, former member of the rock band ‘Roxy Music’. Byrne and Eno have previously collaborated together on concert tours and albums and their musical contributions to Wall Street: Money Never Sleeps adds ambiance to the mood, tone, drama and emotions in various scenes.

Oliver Stone has applied different editing techniques to this film, even using split screens, fades, iris-in and special effects to create urgency, panic and confusion as the United States’ banking system goes into free-fall. In addition to the visual effects, the film’s fictional story parallels the realistic events of the global financial crisis. The housing market fiasco resulting in foreclosures and evictions, and the government bailout of financial institutions are referenced in the film. However, the film remains a story about people’s lives unravelling as the drama of the global financial crisis unfolds.

Wall Street: Money Never Sleeps may not spark another sequel but does feature great performances, a fabulous soundtrack and a glimpse into the world of powerbrokers dominating the world of finance on Wall Street. It’s an entertaining, old-fashioned drama with a subtle message that the value of the human spirit is worth more than any amount of money.

Director: Oliver Stone

Writers: Allan Loeb (screenplay), Stephen Schiff (screenplay), Stanley Weiser (characterisation), Oliver Stone (characterisation)

Cast: Michael Douglas, Shia LaBeouf, Josh Brolin, Carey Mulligan, Susan Sarandon, Eli Wallach, Frank Langella, Austin Pendleton, Vanessa Ferlito, John Buffalo Mailer, Natalie Morales, Maria Bartiromo, Sylvia Miles, Richard Green, Laura Dawn, Amber Dixon Brenner, Oliver Stone, Warren Buffett, Charlie Sheen

Producers: Celia Costas, Alex Young, Alessandro Camon, Edward R. Pressman, Eric Kopeloff, Oliver Stone

Cinematographer: Rodrigo Prieto

Original Music Composer: Craig Armstrong

Film Editors: Julie Monroe, David Brenner

Production: Kristi Zea (Production Designer), Paul D. Kelly (Art Direction), Diane Lederman (Set Decorator)

Costume Designer: Ellen Mirojnick

Running Time: 2 hours and 10 minutes

Thursday, 23 May 2013

Milk (2008); biographical drama film review

Poster artwork for the biographical drama film Milk.
Harvey’s Hope by Linh


Milk is a rousing biographical drama which traces the last eight years of gay rights activist and San Francisco Supervisor, Harvey Milk’s life, from age forty to forty eight.
Harvey Milk made history by becoming the first openly gay man to be publicly elected to the San Francisco Board of Supervisors in 1977. Milk’s willingness to listen to his opponents and work with them, along with an eccentricity that made him stand out from the crowd, helped to bring admiration and widespread support for his causes.

The film opens with scenes of violent bashings and arrests of gay men in the 1960s and 1970s, and with a smooth transition that brings the action to the present which shows Harvey Milk speaking into a tape recorder about a possible assassination attempt on his life. He records his speeches and recalls events that have brought him to the position of San Francisco Supervisor.

SUPPORT: Harvey Milk (Sean Penn) surrounds himself with friends and admirers in the film Milk. Image: Focus Features.

Gus Van Sant’s direction gives more than just a stirring portrait of a freedom fighter and unifier, but also depicts the impact of Milk’s determination to instigate change to improve the lives of the gay community, senior citizens, union workers and other minorities.

Gus Van Sant wanted to keep the film historically accurate and true to the actual events, so he chose to film Milk on location in San Francisco such as along Castro Street, where Harvey Milk and his lover Scott Smith opened their photographic store (Castro Cameras), and inside San Francisco’s Federal Building where scenes in the offices and City Hall were filmed.
He cleverly interweaves live action with archival footage giving the film a pleasing authenticity, with the use of 16mm film to make the archive footage almost indistinguishable from the filmed scenes.

FRIENDLY FOE: Dan White (Josh Brolin) discusses a deal with Harvey Milk (Sean Penn) in the film Milk. Image: Focus Features.

The cast is extraordinarily wonderful with brilliant performances throughout. Sean Penn plays Harvey Milk with some prosthetics to his nose and fake teeth. Penn is a walking, talking and living image of Harvey Milk, who manages to capture all the quirks and generous spirit that made Harvey the unexpected champion of gay rights and equality.

James Franco portrays Harvey’s lover and fellow gay rights activist Scott Smith, who continued to love and support Harvey even after the pair broke up.
Franco gives a strong performance and shows his versatility in film roles, from the stoner film Pineapple Express to the mystery drama In The Valley of Elah.

Josh Brolin is a very strait-laced and ambiguous Dan White, who befriends Harvey Milk when they are elected together on the Board of Supervisors.
Harvey Milk sees Dan as a friend who can help him pass legislation to protect gay rights but Dan has similar but sinister reasons to be Harvey’s ally. Even Harvey’s successful bid to use dog poo to help pass his gay rights laws barely brought a smile to Dan’s face.

FORMER LOVER: Scott Smith (James Franco) gives his support to Harvey Milk (Sean Penn) in the film Milk. Image: Focus Features.

The supporting cast comprises mainly of Harvey Milk’s friends, staff and lovers, who all provided sterling support.

Emile Hirsch is bright and rebellious as the street-punk-turned-activist, Cleve Jones; Alison Pill is superb as Harvey Milk’s quick-witted and fast-working campaign manager, Anne Kronenberg; Diego Luna is impressive as Harvey’s clingy, needy and manipulative lover Jack Lira; and High School Musical star Lucas Grabeel is excellent as Danny Nicoletta, the campaign photographer for Harvey Milk.

An interesting aspect of Milk is how so many people who either opposed or supported Proposition 6, (a proposal which makes it possible to sack gay teachers and anyone who supports them) are not portrayed by actors. They are shown only in archival footage used as part of Gus Van Sant’s direction of blending and morphing the reality of the past into the reality of the film’s present.
People such as the right wing Anita Bryant who was prominent in campaigning against homosexuality and preventing gay equality, former US President Ronald Reagan, American news broadcasters Walter Cronkite and Tom Brokaw all appeared as themselves throughout the film, but only in archival footage.
The 1970s hairstyles, fashion and music are accurately depicted, with an eclectic mix of opera arias, classical instrumentals, soul and rock music featured in the film.

RALLY: Cleve Jones (Emile Hirsch) drums up support for Harvey Milk's election to the Board of Supervisors in the film Milk. Image: Focus Features.

Milk is an uplifting and engaging independent biopic film on one of the most enigmatic individuals whose passion for gay rights still resonates in the hearts and minds of those who continue to have hope for sexual equality.

CAMPAIGNING: Anne Kronenberg (Alison Pill) and Cleve Jones (Emile Hirsch) work to stop Proposition 6 in the film Milk. Image: Focus Features.

Director: Gus Van Sant

Writer: Dustin Lance Black

Cast: Sean Penn, James Franco, Josh Brolin, Emile Hirsch, Diego Luna, Alison Pill, Victor Garber, Lucas Grabeel, Denis O’Hare, Kelvin Yu

Producers: Dustin Lance Black, Bruce Cohen, Barbara A. Hall, William Horberg, Dan Jinks, Michael London, Bruna Papandrea

Original Music Composer: Danny Elfman

Cinematographer: Harris Savides (Director of Photography)

Film Editor: Elliot Graham

Production: Bill Groom (Production Designer), Charley Beal (Art Director), Barbara Munch (Set Decorator)

Costume Designer: Danny Glicker

Running Time: 2 hours 8 minutes.

Tuesday, 14 May 2013

In The Valley of Elah (2007); mystery drama film review

Poster artwork for the mystery drama film In The Valley of Elah.


Post-War Pains by Linh

Writer, producer and director Paul Haggis' latest independent film In The Valley of Elah is a mystery thriller and drama concerning a former military police investigator and war veteran, Hank Deerfield, who goes in search of his missing son, Mike, with the help of a reluctant civilian officer,Detective Emily Sanders, only to discover the horrifying truth surrounding his son's death. 

In The Valley of Elah is inspired by a true story and addresses the human costs of war rather than the politics surrounding it. The title comes from the biblical story of David and Goliath where David slays Goliath in the Valley of Elah. It's an allegory to Hank seeing himself as David who has to fight the might of the American military for the truth of his son's death and their determination to cover it up.

The ensemble cast is brilliant in handling the emotional content and ambiguous script to bring a film that goes to the heart of human conflict and tragedy with US soldiers returning from war. Tommy Lee Jones gives an Oscar-calibre performance as Hank Deerfield who starts questioning his long held beliefs of the America he once supported, which now misuses and places its young soldiers in horrific situations, then help is not forthcoming when they return.
Jones' sincere and deeply reflective portrayal of Hank is superb and worthy of his Best Actor Oscar nomination for this film. 

Charlize Theron plays Detective Emily Sanders who assists Hank Deerfield by investigating his son's disappearance. Theron does well in showing a tougher edge as the lone woman in a male dominated workplace and then a gentler side as the single mum to a young son. 

Susan Sarandon has a small but pivotal role as Joan Deerfield, wife of Hank and mother of Mike, who excels as the griefstricken mother and long suffering wife of Hank in an already tense relationship. 

Jonathan Tucker appears as Mike Deerfield, but only in photographs, in the grainy images recorded on his mobile phone and throughout Hank's flashbacks of his son. Tucker gives a powerful performance as the brave soldier who was serving his country, before returning to find he barely recognises himself as post-traumatic stress disorder sets in. 

Cinematographer Roger Deakins's subtle lighting and excellent camerawork adds to the intrigue of Paul Haggis' script. In The Valley of Elah is a moving and thought-provoking film that's heavy with symbolic gestures with a brutally honest depiction of the de-humanisation of soldiers fighting in a climate of fear and death, and the impact of their experiences psychologically and emotionally.


ESSENCE OF HUMANITY: Hank (Tommy Lee Jones) and Joan Deerfield (Susan Sarandon) deal with losing another son in the film In The Valley of Elah.

Image: Hoyts Distibution, Warner Independent Pictures.

Director: Paul Haggis

Writers: Paul Haggis (screenplay and story), Mark Boal (story) 

Cast: Tommy Lee Jones, Charlize Theron, Susan Sarandon, Jason Patric, Frances Fisher, Jonathan Tucker, Josh Brolin, James Franco, Barry Corbin, Wes Chatham, Zoe Kazan, Mehcad Brooks, Jake McLaughlin, Wayne Duvall, Jennifer Siebel Newsom

Producers: Paul Haggis, Bob Hayward, Erik Feig, James A. Holt, Emilio Diez Barroso, Andrew Matosich, Morocco Laurence Becsey, Darlene Caamano Loquet, Stan Wlodkowski, Dana Maksimovich, David Garrett, Patrick Waschberger, Steve Samuels, Karim Abouobayd, Deborah Rennard, Gregory J. Gettas

Cinematographer: Roger Deakins (Director of Photography)

Original Music Composer: Mark Isham

Film Editor: Jo Francis

Production: Laurence Bennett (Production Designer), Gregory S. Hooper (Art Director), Linda Lee Sutton (Set Decorator)

Costume Designer: Lisa Jensen 

Running Time: 2 hours