Showing posts with label Brad Pitt. Show all posts
Showing posts with label Brad Pitt. Show all posts

Sunday, 16 February 2014

12 Years A Slave (2013); historical biographical drama film review


Korean poster artwork for the historical biographical drama film 12 Years A Slave.
Intercepting Injustice by Linh
The film adaptation 12 Years A Slave is based on the true story of Solomon Northup, whose 1853 memoir titled Twelve Years A Slave was used as the original source for the film. Northup was a legally free *negro who was born in New York State but was kidnapped in 1841 to be sold into slavery. The film chronicles the twelve years Northup spent as a slave working in the plantations for different masters and the people he encountered who showed kindness or cruelty towards black slaves.
Director Steve McQueen (Hunger, Shame) is beginning to develop a reputation for films regarding issues or themes of human suffering or afflictions that are riveting and leaves the viewer in silent awe. This film is exceptional despite the few alterations in the story that are made for dramatic effects but do not change the overall sentiments of the original book. 
FAMILY FREEDOM: Solomon Northup (Chiwetel Ejiofor) enjoys life as a legally free negro with his wife Anne (Kelsey Scott), son Alonzo (Cameron
Zeigler) and daughter Margaret (
Quvenzhané Wallis) in the historical biographical drama 12 Years A Slave. Image: Icon Films.
The film begins in Saratoga Springs, New York, in 1841 where a legally free negro named Solomon Northup (Chiwetel Ejiofor), who works as a skilled carpenter and plays the violin, is spending some family time with his wife Anne (Kelsey Scott), son Alonzo (Cameron Zeigler) and daughter Margaret (Quvenzhané Wallis). Later, he meets with his white friend Parker (Rob Steinberg) for business and consequently encounters two white men named Mr. Brown (Scoot McNairy) and Mr. Hamilton (Taran Killam), who offer him a brief and high-paying job as a musician with their travelling circus. Solomon goes to Washington D.C. with Hamilton and Brown where he is drugged, bound and kept in a slave pen, before being transported by ship to New Orleans.  On the ship, there are abducted women and their children, and the negro men tell Solomon that he must be silent, endure the beatings and never reveal he is literate.
Solomon is re-named Platt by the slave traders and sold to a debt-ridden cotton planter named William Ford (Benedict Cumberbatch) who treats him kindly. Another owner named John Tibeats (Paul Dano) feels Solomon is using his carpentry and communication skills to challenge Tibeats’s superiority as a master. Solomon suffers cruelty and ill-treatment at the hands of Tibeats, even being hung by the neck from a tree for many hours, until Ford returned from a trip to release him. Stricken with guilt that he cannot protect his slave from harm, Ford sells Solomon to the notoriously cruel Edwin Epps (Michael Fassbender). Solomon meets a young slave girl named Patsey (Lupita Nyong’o) who is the hardest worker and fastest cotton picker on Epps’s plantation. He witnesses her suffering while enduring his own. She seeks his help in committing suicide but Solomon refuses. He spends a decade working for Epps as a cotton picker, driver, and overseer who must punish fellow slaves for disobeying Epps. While working on a gazebo for Epps, Solomon meets a Canadian carpenter, who is also an abolitionist, named Samuel Bass (Brad Pitt), whose generosity alters Solomon’s life.
SKILLED SLAVE: Solomon/Platt (Chiwetel Ejiofor) is grateful for the kindness of his master Ford (Benedict Cumberbatch) when his other master Tibeats (Paul Dano) attempts wrongfully punish him in the historical biographical drama film 12 Years A Slave. Image: Icon Films.
The performances in this film are excellent, particularly with the subject matter of slavery, where extreme prejudices, cruelty and discrimination are depicted through the strong characterisations and cohesive screenplay.
Chiwetel Ejiofor (Half Of A Yellow Sun,Triple Nine) is outstanding in the lead role of Solomon/Platt and he convincingly portrays a man who never gave up on his fight for freedom and to reunite with his family; the versatile Michael Fassbender (X-Men: Days of Future Past, Frank) who worked with Steve McQueen in Hunger and Shame, provides an admirably stellar performance as the racist and cruel Edwin Epps; Paul Dano (Prisoners, Love and Mercy) is brilliant as the envious bigot John Tibeats, whose insecurities manifests as hatred and rage against his slaves; making her debut in this feature film, Lupita Nyong’o is gentle, vulnerable and sweet as slave girl Patsey, whose inner strength wanes with the sex abuse at the hands of Epps and her attempts to escape result in severe whipping.
Supporting roles are equally impressive including from Sarah Paulson as Mary Epps the jealous wife of Edwin Epps; Paul Giamatti as the conniving slave trader Theophilus Freeman; Alfre Woodard is delightful as Harriet Shaw, the former slave woman who became the wife of a wealthy plantation owner, and an inspiration for Patsey; Benedict Cumberbatch is unforgettable as the benevolent cotton plantation owner William Ford whose kindness towards slaves briefly gives Solomon hope in humanity; Brad Pitt is commendable as carpenter and abolitionist Samuel Bass with a passable Canadian accent for his brief scenes in the film.
SOCIAL STATUS: Patsey (Lupita Nyong'o) greatly admires Harriet Shaw (Afre Woodard) who was formerly enslaved but was able to use her personal powers as a woman to become the wife of a wealthy plantation owner in the historical biography drama film 12 Years A Slave. Image: Icon Films. 
The film depicts common practices related to slavery in the pre-Civil War period such as the treatment of negroes as not possessing any human value, but are seen as objects worth monetary value, therefore can be sold, bought or exchanged; the undressing of negroes and line-ups in the nude, then displayed for potential buyers; using negroes for entertainment purposes such as dancing; black women are seen as property of slave owners so they are at high risk of rape and sexual abuse; children of slave women are often removed from their mother’s care and sent away; treatment of slaves varying from kindness to cruelty with whippings, hangings and mutilations.
MANIPULATIVE MASTER: Edwin Epps (Michael Fassbender) informs his slave Solomon/Platt (Chiwetel Ejiofor) that punishment is inevitable and painful if he is caught escaping in the historical biographical drama film 12 Years A Slave. Image: Icon Films.
12 Years A Slave is mostly about the years of one man in slavery, but is also a shared story for many others who have lived through similar experiences of struggles and indignities associated with slavery. It is a difficult film to watch as it depicts moments in America’s history of injustice, inequality and inhumanity towards a race of people, and this appalling pre-Civil War period may still have emotional resonance for future generations of African Americans. However, it is an important film to watch, in the sense that by witnessing the wrongs of the past, we may learn to right those similar wrongs in the future and attempt to never repeat them.
Director: Steve McQueen
Writers: Solomon Northup (author of memoir Twelve Years A Slave), John Ridley (screenplay)
Cast: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Lupita Nyong’o, Sarah Paulson, Paul Giamatti, Rob Steinberg, Taran Killam, Scoot McNairy, Quvenzhané Wallis, Kelsey Scott, Cameron Zeigler, Afre Woodard, Brad Pitt, Dwight Henry, Ashley Dyke, Deneen Tyler, Bryan Batt, Michael K. Williams, Marcus Lyle Brown, Vivian Fleming-Alvarez, Anwan Glover, Craig Tate, Chris Chalk, Garrett Dillahunt, Adepero Oduye, Eliza J. Bennett, Bill Camp, Ruth Negga, Jay Huguley, Christopher Berry, Devyn A. Tyler
Producers: John Ridley, Bianca Stigter, Tessa Ross, Steve McQueen, Brad Pitt, Dede Gardner, Jeremy Kleiner, Bill Pohland, Arnon Milchan, Anthony Katagas
Original Music Composer: Hans Zimmer
Cinematographer: Sean Bobbitt (Director of Photography)
Film Editor: Joe Walker
Production: Adam Stockhausen (Production Designer), David Stein (Art Direction), Alice Baker (Set Decorator)
Costume Designer: Patricia Norris
Running Time: 2 hours and 15 minutes
*The term negro/negroes is no longer in general use but is used in historical context for this written piece. Negro is a term that may still be used in anthropological or historical studies for academia.

Monday, 1 July 2013

3D Megamind (2010); animated comedy action film review

Theatrical poster artwork for the animated comedy action film Megamind.

Virtuous Villain by Linh

On the surface, animated film Megamind from DreamWorks looks like another twist on Illumination Entertainment’s debut feature animation Despicable MeMegamind has the same plot of a villain-turned-hero, but with deeper meanings and more complex concepts such as existentialism.  This time, there are no cute little orphan girls warming the heart of a super-villain, but a spunky female reporter armed with razor wit and a sharp tongue.

Megamind upturns the traditional tale of the hero defeating the villain to win the love of a good woman, into a humour-filled, life-changing adventure for a villain who finally realises his true calling in life and a hero who willingly loses to win. Megamind also references other super-hero, horror and science fiction films such as Superman, Frankenstein, The Karate Kid (not the re-make starring Jaden Smith) and 2001: A Space Odyssey.

The film opens with Megamind (Will Ferrell) narrating over several seconds from the ending scene, before launching into a ten-minute prologue explaining Megamind’s backstory and his encounters with Metro Man (Brad Pitt) since they were babies. When Megamind was only eight days old, his home planet was soon to be destroyed so his parents placed him in a space shuttle crib with a piranha sidekick named Minion and sent them hurtling towards Earth. Along the way, baby Megamind meets baby Metro Man and a rivalry begins. Baby Metro Man lands into the home of a good family, while Megamind crashes into the yard of Metro City’s Prison for the Criminally Gifted.

MALEVOLENT MASTERMIND: Megamind (Will Ferrell) plots to destroy Metro Man and Metro City in the film Megamind. Image: DreamWorks Animation, Paramount Pictures.

Fast forward to the present, Megamind escapes from prison, yet again, with the help of Minion (David Cross), and is seen plotting another attack to destroy Metro City with his army of brain-bots in tow, capturing the local reporter Roxanne Ritchi (Tina Fey) and killing his arch-nemesis Metro Man. When Megamind’s evil plot to kill Metro Man succeeds, his sweet success soon turns sour as he discovers his villainy is useless without a hero to fight him.  Megamind sets out to remedy his problem with disastrous results for himself and Metro City.

RESILIENT REPORTER: Roxanne Ritchi (Tina Fey) becomes accustomed to Megamind's failed attempts to destroy Metro City in the film Megamind. Image: DreamWorks Animation, Paramount Pictures.

Megamind has a cast of comedic talent to voice quirky, irreverent and funny characters who experience consequences resulting from the choices they make in life. That is the main theme carried throughout the film as the characters choose how to use their human or super-human powers for the purposes of good or evil.

SUPERHERO SAVIOUR: Metro Man (Brad Pitt) high fives the audience as they prepare to honour him with the opening of the Metro Man Museum in the film Megamind. Image: DreamWorks Animation, Paramount Pictures.

Will Ferrell (The Other Guys, Anchorman: The Legend Continues) voices Megamind, the super-villain with a sense of humour that’s child-like but makes him affable. Ferrell gives Megamind an inquiring mind and endearing charm, despite speech flaws such as placing the emphasis on the wrong vowel in words like ‘melancholy’ and mispronouncing names like ‘Metro City’ to rhyme with ‘velocity’. Since childhood, Megamind’s super-intelligence has enabled him to create weapons of mass mayhem and develop inventions for evil purposes such as the dehydration/rehydration gun, the invisible car, the brain-bots who carry out his dastardly deeds, the superhero infuser/defuser gun and the identity-altering watch. Megamind also built the gorilla-robot body for his best friend and sidekick, Minion. He chose his own name and chose his life path of evil while he was a little boy studying at the 'Lil’ School for the Lil’ Gifted' with Metro Man.

HERO HUNT: Megamind (Will Ferrell) and Minion (David Cross) find their new superhero in the film Megamind. Image: DreamWorks Animation, Paramount Pictures.

Megamind references Dr. Frankenstein in Frankenstein when he decides to make someone into a hero, but instead ‘creates a monster’. Just like Dr Frankenstein, Megamind eventually sets out to destroy his creation. He also plays a mentor to his ‘creation’ Titan (misspelt as ‘Tighten’ by Hal) like Mr Miyagi (Pat Morita) in The Karate Kid, and puts on a good Marlon Brando impersonation from The Godfather, while disguised as Hal’s Space Dad.

MIXED MEDIA: Hal (Joanh Hill) and Roxanne (Tina Fey) are polar opposites working as a reporting team in the film Megamind. Image: DreamWorks Animation, Paramount Pictures.

Rising star Jonah Hill (Get Him To The Greek, Moneyball) is the voice of video game geek and Roxanne’s hapless cameraman, Hal, who is secretly in love with her. This name references the malfunctioning and malicious computer HAL in sci-fi classic 2001: A Space Odyssey, and milked even further in Megamind, when Hal appears in shirts with computer-related messages such as “Error 404 request not found” or “Game Over”. Hill looks and sounds like the unassuming and everyday person and this translates well into Hal’s characterisations and appearance in the film.

Star and writer of multi- award winning television series 30 Rock, Tina Fey’s (Baby Mamma, Date Night) vocal qualities are perfectly suited to bring out the tenacity and intelligence in the feisty Roxanne. Fey also brings some romance and rivalry into the story, adding a feminine presence alongside the male-dominated cast of characters.

SHARED SHOCK: Megamind (Will Ferrell) and Roxanne (Tina Fey) are in disbelief to discover Metro Man's secret in the film Megamind. Image: DreamWorks Animation, Paramount Pictures.

Brad Pitt is well cast as the voice of Metro City’s hero and idol, Metro Man, bringing sexiness, courage and benevolence to the character. ‘Metro Man’ is the name given to him by the citizens of Metro City, unlike Megamind who was able to choose his own name. Metro Man is a neo-Superman, who can fly, has heat ray vision, super-human strength, super sonic speed et cetera. Along with the name and responsibilities of upholding justice and keeping evil at bay, Metro Man feels exhausted and tired of doing things for others 24 hours a day and never having to do what he likes. Metro Man makes an impromptu choice during a battle against Megamind, to rid himself of all responsibilities and ties as the saviour and super-hero of Metro City. This choice causes Megamind’s evil plan to backfire and forces him to seek another super-hero to replace Metro Man.

Every super-villain needs a partner and Minion is the best friend and super-sidekick of Megamind. David Cross (Alvin and the Chipmunks : The Squeakquel, Kung Fu Panda 2) does a superb job of voicing the hilarious, patient and super-intelligent piranha-in-a-bowl, who Megamind calls a “fantastic fish”. Although Megamind is the inventor of the bizarre and hi-tech gadgetry in the film, it is Minion who provides the ideas and inspiration for Megamind’s plans. However, some of Minion’s ideas for weapons always need a minute to “warm up” which frustrates Megamind and stalls some of his best-laid plans.

Promotional poster artwork for the animated comedy action film Megamind.

The film’s soundtrack includes rock and pop music from Michael Jackson, Guns N Roses, ACDC, George Thorogood and the Destroyers and Minnie Riperton, as well as wonderful ambient and incidental music by Hans Zimmer and Lorne Balfe.

Megamind is funny, fast-paced and action-packed with some serious themes and complex concepts not presented in other recent animated films such as Despicable Me or How To Train Your Dragon. Megamind appeals to a diverse audience where children will enjoy the good versus evil action sequences, while the adults may reflect on the concepts of life’s paths/destiny/purpose/choices. Megamind is not as emotionally manipulating as Toy Story 3 but more attention-grabbing than Despicable Me.

Promotional poster artwork for the animated comedy action film Megamind.

Director: Tom McGrath

Writers: Alan J. Schoolcraft (story), Brent Simons (story)

Voice Cast: Will Ferrell, Tina Fey, David Cross, Jonah Hill, Brad Pitt, Ben Stiller, J.K. Simmons, Justin Theroux, Jessica Schulte, Tom McGrath, Emily Nordwind, Brian Hopkins, Christopher Knights, Stephen Kearin, Ella Olivia Stiller, Quinn Dempsey Stiller, Mike Mitchell, Jack Blessing, Jasper Johannes Andrews
       
Producers: Holly Edwards, Stuart Cornfeld, Ben Stiller, Denise Nolan Cascino, Lara Breay
    
Creative Consultants: Justin Theroux, Guillermo del Toro

Original Music Composer: Hans Zimmer, Lorne Balfe
          
Film Editor: Michael Andrews
                
Production Designer: David James
      
Running Time: 1 hour and 35 minutes 

Monday, 20 May 2013

The Curious Case of Benjamin Button (2008); fantasy drama film review


Poster artwork for the fantasy drama film The Curious Case of Benjamin Button.

Ageing Youthfully by Linh

Director David Fincher and screenwriter Eric Roth have created a visually sumptuous film with The Curious Case of Benjamin Button to the extent that it hardly bears any resemblance to the F. Scott Fitzgerald short story upon which the film is based. With so much artistic licence and time taken to bring the film from the page to the screen, The Curious Case of Benjamin Button could be regarded as a contemporary re-telling of F. Scott Fitzgerald’s short story.
Eric Roth, who wrote the screenplay for Forrest Gump, has brought the same elements of historical events, interesting additional characters and tragi-comic moments to The Curious Case of Benjamin Button. There are numerous alterations made for the film, with only the title and the extraordinary condition of ageing backwards, linking the film to the book.

BABY BEN: Benjamin Button as a new born baby on the steps of the nursing home in the film The Curious Case of Benjamin Button. Image: Paramount Pictures, Warner Brothers.

The film is set in New Orleans, Louisiana with Benjamin Button born in 1918 on the day the Great War (World War I) ended. It was a joyous moment in American history, but not so for Benjamin who was born looking all wrinkled, with arthritis and dementia; the doctor describes him as a septuagenarian in a baby’s body, and his father abandons him on the steps of a nursing home. He is taken in by Queenie, one of the nurses at the aged care home, and she raises him as her own child in the midst of the plethora of quirky residents in their twilight years.
Although he fitted in physically and was happy and felt safe, Benjamin still feels lonely. He immediately falls in love with the five year old Daisy who befriends him despite her Grandmother’s disapproval. Throughout the years of Benjamin’s life, he experiences the joy of love, the sadness of death, he inspires and touches the lives of people whom have gone on to accomplish personal achievements.


WALK LIKE A MAN: Queenie (Taraji P. Henson) encourages seven year old Benjamin Button to take his first steps in the film The Curious Case of Benjamin Button. Image: Paramount Pictures, Warner Brothers.

A truly magnificent cast is assembled for The Curious Case of Benjamin Button and they all bring something special to their characters. Brad Pitt was a curious choice but a fine one for the lead character. Pitt is transformed onscreen using CGI and special effects make-up to achieve the ageing process of the body. In the earlier scenes, his cracked and quivery voice is convincing as an elderly man, while in the later scenes Pitt aptly brings the voice to a deep and smooth baritone.
Benjamin Button doesn’t seem to do much in the film, and those he meets in his life tend to be more active and energetic than he. Perhaps that’s the reason Pitt downplays the character and delivers a very passive and gentle performance of a man whose quiet dignity and gentle understanding of humanity is endearing.

Cate Blanchett beautifully portrays the lover and mother of Benjamin Button’s daughter with passion and spunk. Blanchett radiates warmth, charm and grace as she twirls or leaps across the screen in her scenes of dancing in the moonlight, on stage at New York’s Majestic Theatre and at dance auditions. She is a competent dancer and her interpretive style has smooth fluidity and is beguiling. Blanchett also ages in the film and is seen as a twenty-six year old to an 89 year old with extensive special effects make-up on her face, neck and hands.

British actress Julia Ormond plays Benjamin Button’s daughter, Caroline, aged in her forties and nursing her dying mother at a New Orleans hospital as a violent storm approaches the city. Although Caroline doesn’t appear much in Benjamin’s life, Julia Ormond gives her character a commanding presence in the majority of the film as she reads aloud Benjamin’s diary to her mother.

Other standout performances of note include Taraji P. Henson as the irrepressible and loveable Queenie; Jared Harris is fittingly jolly and whose laughter is contagious as the tattooed Captain Mike; Tilda Swinton, who looks a little like Cate Blanchett, is marvellous as the married woman, Elizabeth Abbott, whose affair with Benjamin is sweet but short-lived; and little Elle Fanning as the seven year old Daisy is so adorably convincing.

The Curious Case of Benjamin Button contains many curious moments that would be easily missed if viewers weren’t attentive. Some of the curiosities include the appearance of time pieces throughout the film (watches, clocks, calendars, dates in Benjamin’s diary), why Benjamin’s narration regarding the birth of his daughter turns from third person to the second person – “She was perfect”…..“I left before you got to know me”, and how Benjamin was never seen writing in a diary or even seen with his diary, yet the entire film is structured according to the thoughts and events of Benjamin’s life. 

Obviously, the answers are explained in the film, metaphorically, visually or through character observations. It’s almost impossible not to be affected by the sheer beauty of the film’s productions and dream-like quality. The Curious Case of Benjamin Button allows us into the life a man who takes every opportunity to live life to its fullest and not waste a moment.
It also reminds us that life and time are so precious, that unlike money, it cannot be saved up and be spent later. Once it’s gone, it’s gone forever. A brilliant film and Oscar-worthy for its direction, screenplay and performances.

TIMELESS TALE: Benjamin Button (Brad Pitt) and Daisy (Cate Blanchett) form a strong bond in the film The Curious Case of Benjamin Button. Image: Paramount Pictures, Warner Brothers.

Director: David Fincher

Writers: Eric Roth (screenplay), Robin Swicord (screenplay), F. Scott Fitzgerald (short story)

Cast: Brad Pitt, Cate Blanchett, Julia Ormond, Taraji P. Henson, Tilda Swinton, Elias Koteas, Elle Fanning, Jason Flemyng, Jared Harris

Producers: Kathleen Kennedy, Frank Marshall, Jim Davidson, Ceán Chaffin, Marykay Powell, Peter Mavromates, Tommy Turtle

Cinematographer:  Claudio Miranda (Director of Photography)

Original Music Composer: Alexandre Desplat

Film Editors: Kirk Baxter, Angus Wall

Production: Donald Graham Burt (Production Designer), Michele Laliberte, Kelly Curley, Tom Reta, Randy Moore, Scott Plauche (Art Directors), Victor J. zolfo (Set Decorator)

Costume Designer: Jacqueline West

Running Time: 2 hours and 40 minutes

Curious Comparisons:

Book: Benjamin Button is born in 1860 in Baltimore, Maryland.
Film:  Benjamin Button is born in 1918 in New Orleans, Louisiana.

Book: Benjamin Button is born with sparse, white hair and a long smoke-coloured beard, and could speak fluently and coherently.
Film: Benjamin Button is born looking runt-sized, excessively wrinkled, fragile and crying.

Book: Benjamin Button’s mother is only mentioned briefly in the first chapter and described as being ‘healthy’ after childbirth.
Film: Benjamin Button’s mother died shortly after giving birth.

Book: Benjamin Button has a son named Roscoe who resented him for his youth and is embarrassed to be seen with his father.
Film: Benjamin Button has a daughter named Caroline whom he never really knew.

Book: Benjamin Button’s father raised him as best he could, just as he would if Benjamin were not ageing backwards.
Film: Benjamin Button’s father abandoned him and left him at the nursing home because he thought his child was a monster.

Book: Benjamin Button’s father is named Roger and is president of Roger Button and Co., a successful wholesale hardware store.
Film: Benjamin Button’s father is named Thomas and is owner of Button’s Buttons.

Book: Benjamin Button’s lover (he meets while in college) whom becomes his wife is named Hildegarde Moncrief.
Film: Benjamin Button’s lover (he meets her as a seven year old) whom becomes the mother of his child is named Daisy.

Book: Benjamin Button’s life ebbs away in a baby’s crib.
Film: Not telling. Go and watch the film.