Showing posts with label Chiwetel Ejiofor. Show all posts
Showing posts with label Chiwetel Ejiofor. Show all posts

Sunday, 16 February 2014

12 Years A Slave (2013); historical biographical drama film review


Korean poster artwork for the historical biographical drama film 12 Years A Slave.
Intercepting Injustice by Linh
The film adaptation 12 Years A Slave is based on the true story of Solomon Northup, whose 1853 memoir titled Twelve Years A Slave was used as the original source for the film. Northup was a legally free *negro who was born in New York State but was kidnapped in 1841 to be sold into slavery. The film chronicles the twelve years Northup spent as a slave working in the plantations for different masters and the people he encountered who showed kindness or cruelty towards black slaves.
Director Steve McQueen (Hunger, Shame) is beginning to develop a reputation for films regarding issues or themes of human suffering or afflictions that are riveting and leaves the viewer in silent awe. This film is exceptional despite the few alterations in the story that are made for dramatic effects but do not change the overall sentiments of the original book. 
FAMILY FREEDOM: Solomon Northup (Chiwetel Ejiofor) enjoys life as a legally free negro with his wife Anne (Kelsey Scott), son Alonzo (Cameron
Zeigler) and daughter Margaret (
Quvenzhané Wallis) in the historical biographical drama 12 Years A Slave. Image: Icon Films.
The film begins in Saratoga Springs, New York, in 1841 where a legally free negro named Solomon Northup (Chiwetel Ejiofor), who works as a skilled carpenter and plays the violin, is spending some family time with his wife Anne (Kelsey Scott), son Alonzo (Cameron Zeigler) and daughter Margaret (Quvenzhané Wallis). Later, he meets with his white friend Parker (Rob Steinberg) for business and consequently encounters two white men named Mr. Brown (Scoot McNairy) and Mr. Hamilton (Taran Killam), who offer him a brief and high-paying job as a musician with their travelling circus. Solomon goes to Washington D.C. with Hamilton and Brown where he is drugged, bound and kept in a slave pen, before being transported by ship to New Orleans.  On the ship, there are abducted women and their children, and the negro men tell Solomon that he must be silent, endure the beatings and never reveal he is literate.
Solomon is re-named Platt by the slave traders and sold to a debt-ridden cotton planter named William Ford (Benedict Cumberbatch) who treats him kindly. Another owner named John Tibeats (Paul Dano) feels Solomon is using his carpentry and communication skills to challenge Tibeats’s superiority as a master. Solomon suffers cruelty and ill-treatment at the hands of Tibeats, even being hung by the neck from a tree for many hours, until Ford returned from a trip to release him. Stricken with guilt that he cannot protect his slave from harm, Ford sells Solomon to the notoriously cruel Edwin Epps (Michael Fassbender). Solomon meets a young slave girl named Patsey (Lupita Nyong’o) who is the hardest worker and fastest cotton picker on Epps’s plantation. He witnesses her suffering while enduring his own. She seeks his help in committing suicide but Solomon refuses. He spends a decade working for Epps as a cotton picker, driver, and overseer who must punish fellow slaves for disobeying Epps. While working on a gazebo for Epps, Solomon meets a Canadian carpenter, who is also an abolitionist, named Samuel Bass (Brad Pitt), whose generosity alters Solomon’s life.
SKILLED SLAVE: Solomon/Platt (Chiwetel Ejiofor) is grateful for the kindness of his master Ford (Benedict Cumberbatch) when his other master Tibeats (Paul Dano) attempts wrongfully punish him in the historical biographical drama film 12 Years A Slave. Image: Icon Films.
The performances in this film are excellent, particularly with the subject matter of slavery, where extreme prejudices, cruelty and discrimination are depicted through the strong characterisations and cohesive screenplay.
Chiwetel Ejiofor (Half Of A Yellow Sun,Triple Nine) is outstanding in the lead role of Solomon/Platt and he convincingly portrays a man who never gave up on his fight for freedom and to reunite with his family; the versatile Michael Fassbender (X-Men: Days of Future Past, Frank) who worked with Steve McQueen in Hunger and Shame, provides an admirably stellar performance as the racist and cruel Edwin Epps; Paul Dano (Prisoners, Love and Mercy) is brilliant as the envious bigot John Tibeats, whose insecurities manifests as hatred and rage against his slaves; making her debut in this feature film, Lupita Nyong’o is gentle, vulnerable and sweet as slave girl Patsey, whose inner strength wanes with the sex abuse at the hands of Epps and her attempts to escape result in severe whipping.
Supporting roles are equally impressive including from Sarah Paulson as Mary Epps the jealous wife of Edwin Epps; Paul Giamatti as the conniving slave trader Theophilus Freeman; Alfre Woodard is delightful as Harriet Shaw, the former slave woman who became the wife of a wealthy plantation owner, and an inspiration for Patsey; Benedict Cumberbatch is unforgettable as the benevolent cotton plantation owner William Ford whose kindness towards slaves briefly gives Solomon hope in humanity; Brad Pitt is commendable as carpenter and abolitionist Samuel Bass with a passable Canadian accent for his brief scenes in the film.
SOCIAL STATUS: Patsey (Lupita Nyong'o) greatly admires Harriet Shaw (Afre Woodard) who was formerly enslaved but was able to use her personal powers as a woman to become the wife of a wealthy plantation owner in the historical biography drama film 12 Years A Slave. Image: Icon Films. 
The film depicts common practices related to slavery in the pre-Civil War period such as the treatment of negroes as not possessing any human value, but are seen as objects worth monetary value, therefore can be sold, bought or exchanged; the undressing of negroes and line-ups in the nude, then displayed for potential buyers; using negroes for entertainment purposes such as dancing; black women are seen as property of slave owners so they are at high risk of rape and sexual abuse; children of slave women are often removed from their mother’s care and sent away; treatment of slaves varying from kindness to cruelty with whippings, hangings and mutilations.
MANIPULATIVE MASTER: Edwin Epps (Michael Fassbender) informs his slave Solomon/Platt (Chiwetel Ejiofor) that punishment is inevitable and painful if he is caught escaping in the historical biographical drama film 12 Years A Slave. Image: Icon Films.
12 Years A Slave is mostly about the years of one man in slavery, but is also a shared story for many others who have lived through similar experiences of struggles and indignities associated with slavery. It is a difficult film to watch as it depicts moments in America’s history of injustice, inequality and inhumanity towards a race of people, and this appalling pre-Civil War period may still have emotional resonance for future generations of African Americans. However, it is an important film to watch, in the sense that by witnessing the wrongs of the past, we may learn to right those similar wrongs in the future and attempt to never repeat them.
Director: Steve McQueen
Writers: Solomon Northup (author of memoir Twelve Years A Slave), John Ridley (screenplay)
Cast: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Lupita Nyong’o, Sarah Paulson, Paul Giamatti, Rob Steinberg, Taran Killam, Scoot McNairy, Quvenzhané Wallis, Kelsey Scott, Cameron Zeigler, Afre Woodard, Brad Pitt, Dwight Henry, Ashley Dyke, Deneen Tyler, Bryan Batt, Michael K. Williams, Marcus Lyle Brown, Vivian Fleming-Alvarez, Anwan Glover, Craig Tate, Chris Chalk, Garrett Dillahunt, Adepero Oduye, Eliza J. Bennett, Bill Camp, Ruth Negga, Jay Huguley, Christopher Berry, Devyn A. Tyler
Producers: John Ridley, Bianca Stigter, Tessa Ross, Steve McQueen, Brad Pitt, Dede Gardner, Jeremy Kleiner, Bill Pohland, Arnon Milchan, Anthony Katagas
Original Music Composer: Hans Zimmer
Cinematographer: Sean Bobbitt (Director of Photography)
Film Editor: Joe Walker
Production: Adam Stockhausen (Production Designer), David Stein (Art Direction), Alice Baker (Set Decorator)
Costume Designer: Patricia Norris
Running Time: 2 hours and 15 minutes
*The term negro/negroes is no longer in general use but is used in historical context for this written piece. Negro is a term that may still be used in anthropological or historical studies for academia.

Saturday, 29 June 2013

Salt (2010); spy thriller action drama film review

Poster artwork for the spy thriller action film Salt.

Secretive Salt by Linh

Since working together in 1999’s The Bone Collector, Australian director Phillip Noyce and Angelina Jolie re-team for the action spy thriller Salt, about a CIA agent named Evelyn Salt (Angelina Jolie) who is accused of being a Russian spy. Their latest film opens with scenes from two years ago where a female is shackled and tortured by North Korean officials who claim she is a spy. The accused woman is a Russian native with an American identity, Evelyn Salt, working for the CIA. Evelyn is set free after North Korean President Kim Jong il agrees to a deal with the United States.  Fast forward to the present day, Evelyn is married to a spider-scientist named Michael Krause (August Diehl) whom she met while on an assignment in North Korea. When suspected Russian spy agent Orlov (Daniel Olbrychski) is arrested and questioned, his claims of the Russian President’s (Olek Krupa) assassination at the funeral for the American Vice President, sparks suspicion surrounding Evelyn’s true identity.

SPY SCREEN: Ted (Liev Shreiber), Peabody (Chiwetel Ejiofor) and Evelyn (Angelina Jolie) watch a Russian spy in the interrogation cell in the film Salt. Image: Columbia Pictures.

The film cleverly manipulates the audiences’ trust in lead character Evelyn Salt, as her own allegiances towards America and Russia change back and forth. National Counter-intelligence officer Peabody (Chiwetel Ejiofor) suspects Salt to be an embedded KGB spy from Russia and pursues her relentlessly. Salt maintains her questionable characteristics through to the end with a delicious twist involving her CIA partner Ted Winter (Liev Schreiber).

RUSSIAN ROGUE: Evelyn (Angelina Jolie) claims she is not a Russian spy in the film Salt. Image: Columbia Pictures.

The story features a brief and sad personal backstory of Evelyn Salt and her involvement with the Russian spy operation who recruited children, and train them to become super-spies in the United States by taking top-level jobs in government and homeland security departments when they reach adulthood.  The flashback sequences give an insight into Salt from her childhood through to the present as she continues to evade capture. It reveals she is stuck between her love for Russia and America, resulting in a vengeful and pragmatic outlook on life.  Salt may betray one to honour the other and above all, she will kill if she is betrayed.

AMBIGUOUS ASSASSIN: Evelyn (Angelina Jolie) kills indiscriminately as she avoids capture in the film Salt. Image: Columbia Pictures.

The lead characters are all fully-fleshed out with some surprises that go against personality type, and the reversal and transgression of gender roles throughout the film, keep the audience guessing all the way to the end. Angelina Jolie appears incredibly agile and swift on her feet in all the action/fight scenes and carries the film with consistency and ease. Most male action heroes may rely on muscle-power to portray their character but Jolie brings both brains and brawn to her role. Liev Schreiber’s performance as Salt’s CIA colleague Ted, is excellent and equally ambiguous, and he can even dupe the keenest of spy-thriller-philes. The ‘good guy’ in the film is Peabody and Chiwetel Ejiofor gives the character a hard-nosed attitude and hard-edged determination to serve and protect America from attack. His mission may continue with Salt as he drops his guard to place his trust in her.

CO-ORDINATED CAPTURE: Evelyn (Angelina Jolie) is escorted by the SWAT team in the film Salt. Image: Columbia Pictures.
 
Salt is an exciting and controversial action spy thriller that handles its plot points regarding international and foreign relations with Russia, North Korea and the Arab nations with a delicate approach. The anti-Communist sentiment resides in the characters and in the storyline, showing Russian spies in scenes of violent deaths. However, this is seemingly balanced out in the film where numerous American security and CIA officers are killed while protecting the President of the United States. The criticism regarding this so-called balance is apparent when the Russians are killed as they plot to assassinate the American President and spread communist ideology (clearly seen as negative), while Americans are killed when they try to defend themselves against Russian spies and uphold democracy (clearly seen as positive). This may be the intention of the film-makers to appeal to the American mainstream audience, as though this was the only way to portray and represent spies and their threat to the democratic way of life. Further criticism of Salt claims the film has a simplified and generalised view of the Cold War and the icy relationship between Russia and the United States, which is historically and politically more complex than the film depicts.

The film has an open-ended conclusion which enables a sequel to follow, and hopefully there will be more high-energy stunt scenes, gun-firing, bomb-blasting action sequences and the inevitable twists and turns in the film’s plot. A sequel is underway with Angelina Jolie reportedly returning to the lead role and a director is yet to be announced.
 
Director: Phillip Noyce

Writer: Kurt Wimmer (screenplay)

Cast: Angelina Jolie, Liev Schreiber, Chiwetel Ejiofor, Daniel Olbrychski, Hunt Block, August Diehl, Olek Krupa, Corey Stoll, Andre Braugher, Paul Juhn

Producers: Ric Kidney, Mark Vahradian, Sunil Perkash, Lorenzo di Bonaventura, Hannah Minghella, William M. Connor, Samuel Dickerman

Cinematographer: Robert Elswit

Original Music Composer: James Newton Howard

Film Editors: Stuart Baird, John Gilroy

Production: Scott Chambliss (Production Designer), Teresa Carriker-Thayer (Art Director), Leslie E. Rollins (Set Decorator)

Costume Designer: Sarah Edwards

Languages: English, Russian with English subtitles

Running Time: 1 hour and 40 minutes