Showing posts with label Michael Gambon. Show all posts
Showing posts with label Michael Gambon. Show all posts

Tuesday, 20 January 2015

Paddington (2014); adventure comedy family film review



Korean poster artwork for the adventure comedy family film Paddington.



Beloved Bear by Linh

One of the most loved fictional bears in children’s literature finally has his own movie. Paddington is the brainchild of author Michael Bond and the young bear began life on the pages of a children’s book series. The Paddington books inspired an animated television series and a stage musical adaptation depicting the funny misadventures of Paddington bear. With Bond’s blessing, Paddington is brought to cinematic life with an ensemble cast featuring some of Britain’s best stage and screen performers. Keep an eye out for Bond’s cameo appearance in the film as a kindly gentleman at Paddington train station.

Paddington is an origin film for Paddington bear, with most of the storylines from the first book and a few stories from later Paddington books. The film opens with a black and white short documentary created by British explorer Montgomery Clyde (Tim Downie). Clyde is amazed to learn that a species of highly intelligent bears live in the jungles of Darkest Peru and he teaches them to speak English. He introduces them to marmalade, which they immediately love. The bears featured in Clyde’s short documentary clip are Uncle Pastuzo (voice of Michael Gambon) and Aunt Lucy (voice of Imelda Staunton) and in the documentary, Clyde tells them they will be warmly welcomed if they ever visit London. Many years later, Uncle Pastuzo and Aunt Lucy are still living in Darkest Peru with fond memories of meeting Clyde and hope to visit him in London one day. They are raising their nephew (voice of Ben Whishaw), who is a curious and adventurous teenage bear. The young bear loves marmalade and helps his uncle and aunt make marmalade according to a special recipe. He is also bilingual and can speak, read and write English as well as his own bear language.

The bears’ happy life is disrupted when an earthquake destroys their home and kills Uncle Pastuzo. The young bear was able to retrieve his uncle’s red floppy hat, which he then continues to wear almost every day. Aunt Lucy decides that due to her old age, she cannot raise her nephew any longer and she will need to live at the Home For Retired Bears. She instructs her nephew to go to London and find Clyde who may help him find a home. She packs a suitcase full of jars with marmalade, ties a tag around her nephew’s neck which says “Please look after this bear. Thank you.” and hides him inside a boat bound for London.

When the young bear arrives in London, he is wide-eyed with wonder and excitement, until he discovers the warm welcome he expected was not forthcoming. At the train station, people ignore him and quickly walk past him without a word. The bear stands in front of the ‘lost and found’ office at the station until the Brown family walk past, and Mrs. Mary Brown (Sally Hawkins) turns around to converse with the bear. Mr. Henry Brown (Hugh Bonneville) is immediately suspicious of the bear while his children, Judy (Madeleine Harris) is disinterested and Jonathan (Samuel Joslin) is bemused. After the bear tells them his name in his bear language, Mrs. Brown suggests that he might like an English name. She names him Paddington as that is the name of the train station where they met him. The Browns take Paddington to their home to stay temporarily, where they live with their housekeeper Mrs. Bird (Julie Walters), and they offer to assist Paddington in finding Clyde. Unbeknownst to Paddington, his new life in London will soon become dangerous as Clyde’s daughter Millicent (Nicole Kidman) has some nasty plans that threaten his existence.

The cast is excellent and computer-generated images and special effects used to create Paddington works seamlessly.to blend animation with live action. Colin Firth was originally cast to voice Paddington, yet Ben Whishaw is commendable and better suited for the role with his younger voice and modulated tones. Hugh Bonneville, best known for his role as Robert Crawley in the television drama Downton Abbey, relishes the opportunity to show some comic and action skills as Mr. Henry Brown. He is brilliant as a cleaning lady in one scene and as a risk-taking rebel in an earlier scene. Oscar nominated actress Sally Hawkins (Blue Jasmine, X+Y) is delightful and affable as Mrs. Mary Brown whose inquisitiveness and curiosity attracted her to Paddington at the train station. Julie Walters (One Chance, Brooklyn) is always a hoot in any comic role and her portrayal as the observant and wise Mrs. Bird outshines the CGI feathered birds (Paddington’s hungry pigeons) in the film. Fans of the Doctor Who television series will be pleased to see Peter Capaldi (The Fifth Estate, World War Z) as the nosy and grumpy neighbour Mr. Curry, especially in the scenes when he appears inside or near a London telephone box, in reference to himself as The Doctor. Nicole Kidman (Lion, The Secret In Their Eyes) played a nasty character in The Golden Compass which was not well-received by most viewers, yet her portrayal of Millicent Clyde, a knife-throwing taxidermist for the Natural History Museum in this film, is vastly superior in nastiness. There was a brief sombre moment for some viewers when Kidman’s character said “My father is dead”, as some people were aware her father in real life, Dr. Anthony Kidman, died during the film’s post-production stage.

Paddington is a film which reminds us that no matter where we come from, we can always find a home elsewhere. However, the film depicts possible obstacles and other challenges that make ‘fitting in’ more difficult depending on one’s race or ethnicity. Paddington not only comes from a different country, he is also of a different species, which makes his presence in the human community very interesting and sometimes complicated.  He is the only anthropomorphic bear in London who speaks English, which makes him especially unique and finding a home for someone like Paddington requires open-mindedness, kindness and patience. Although he is a bear, Paddington contributes to the community and to the Brown family through cultural means of food and language, such as sharing his special marmalade recipe and teaching them his bear language.

There are underlying themes of immigration, social inclusion and acceptance which are depicted implicitly through Paddington’s misadventures and his interactions with other characters in the film. For example, Mr. Gruber (Jim Broadbent), who owns the antique store, has a strong German-Jewish accent and represents immigrants who may have escaped war-torn countries to find a home in London. Through hard-work and perseverance, Mr. Gruber has settled comfortably in London to become a familiar and friendly face in the community. Paddington’s arrival in London would be deemed by some as “illegal” as he arrived by boat without any legal identity papers. The community’s acceptance of Paddington is a result of his misadventures, so he is liked for his considerate, polite and generous nature.

Paddington is a highly enjoyable and entertaining film that will entice viewers to read or re-read the Paddington books and is a great introduction of Paddington bear for the uninitiated. Director Paul King succeeds in bringing the warmth and humour of Paddington bear from the books to the film. The fantasy scenes from Paddington’s imagination and his misadventures in the bathroom, in the kitchen and chasing the wallet thief are highlights of the film. For fans of Paddington, there are many more stories from the Paddington books that would make sufficient and superb material for another Paddington film.

Director: Paul King

Writers: Michael Bond (books), Paul King (screenplay), Hamish McColl (screenplay)

Cast: Hugh Bonneville, Sally Hawkins, Julie Walters, Nicole Kidman, Jim Broadbent, Peter Capaldi, Madeleine Harris, Samuel Joslin, Tim Downie, Ben Whishaw (voice), Michael Gambon (voice), Imelda Staunton (voice), Matt Lucas, Madeleine Worrall, Theresa Watson, Geoffrey Palmer, Lottie Steer, Michael Bond

Producers: David Heyman, Harvey Weinstein, Bob Weinstein, Rosie Alison, Alexandra Ferguson, Ben Irving, Jeffrey Clifford, Ron Halpern, Manohar Tahilramani, Oliver Courson

Cinematographer: Erik Wilson

Original Music Composer: Nick Urata

Film Editor: Mark Everson

Production: Gary Williamson (production design), Cathy Cosgrove (set design)

Costume Designer: Lindy Hemming

Running Time: 1 hour and 30 minutes

Thursday, 11 July 2013

Quartet (2012); comedy drama film review

British poster artwork for the comedy drama Quartet.

Favourable Foursome by Linh

The film Quartet is receiving the most attention for its brilliant British leading cast members but the director is equally interesting. Two-time Academy award winner Dustin Hoffman (Kung Fu Panda 3, Little Fockers) was an uncredited co-director for the 1978 film Straight Time in which he also starred, and Quartet is his debut sole-directed film. Hoffman has cleverly chosen a top cast and an interesting film project to work with; he indicated in recent interviews that he is keen to continue directing if the right script came along.

OPERATIC OVATION: Jean (Maggie Smith) is delighted by her reception at Beecham House in the film Quartet. Image: The Weinstein Company, Transmission Films.

The cast consists of the crème de la crème of British acting royalty that includes Maggie Smith, Tom Courtenay, Pauline Collins and Michael Gambon. Comedian and actor Billy Connolly reportedly replaced Albert Finney, who had to pull out of the film due to illness. Hoffman may have struck cinematic gold with his first film, which is an adaptation of Ronald Harwood’s stage production of the same name. This film is also inspired by the 1984 documentary film Il Bacio Di Tosca - Tosca’s Kiss, which features interviews with several operatic stars living in a retirement home for artists, that was founded by Romantic composer Giuseppe Verdi in 1896. Verdi’s operas and music, along with music from other musicians of the Romantic period, form an integral aspect of the film’s storyline and music soundtrack.

Dario Marianelli’s original score superbly matches the emotional expression heard in Verdi’s music. Marianelli’s music complements the warm and exquisite atmosphere of the retirement home and creates a lovely musical bridge between the songs and music performed by the characters in the film.

FINDING FUNDS: Cedric (Michael Gambon) and Reggie (Tom Courtenay) discuss the Verdi concert as a fundraiser for Beecham House in the film Quartet. Image: The Weinstein Company, Transmission Films.

Quartet is set in the distinguished Beecham House, a home for retired classical musicians and opera singers, which is in financial trouble and could close in several months. The residents, led by Cedric (Michael Gambon), decide to use the annual Verdi concert that celebrates Verdi’s birthday, as a benefit gala. The resident opera singers, Reggie (Tom Courtenay), Wilfred (Billy Connolly) and Cissy (Pauline Collins) are excited as always, but are distracted by news that a new resident will be arriving soon. When Jean (Maggie Smith) enters the home, the residents who still remember her, give her a standing ovation, despite Jean not having sung for many decades. 

Jean’s arrival catches Reggie off-guard and he expresses his annoyance that the House Manager Lucy Cogan (Sheridan Smith) did not tell him Jean was coming to live at Beecham House. We soon find out that Jean and Reggie were married once, but Jean’s infidelity ended their marriage and her career. When Cedric decides that Reggie, Jean, Cissy and Wilfred should sing the famous quartet from Verdi’s opera Rigoletto, it is up to Reggie, Cissy and Wilfred to put aside past heartbreaks and conflicts to persuade Jean to sing again.

FAMILIAR FRIENDS: Reggie (Tom Courtenay), Jean (Maggie Smith), Cissy (Pauline Collins and Wilfred (Billy Connolly) share a meal and memories of the good times in the film Quartet. Image: The Weinstein Company, Transmission Films.

Quartet is wonderfully performed, well-scripted, the lead cast and the supporting cast are tremendous. The four lead actors lip synced to their singing, but the rest of the cast actually do their own singing, as they are real-life opera singers and musicians. Dame Gwyneth Jones is a Welsh soprano and she plays the posh, ice queen Ann Langley, who was a rival soprano to Maggie Smith’s character Jean. Other musicians and singers get the chance to shine as their characters sing arias or musical theatre pieces from Gilbert and Sullivan operettas or other Verdi operas. As the end credits roll, photographs of the singers and musicians appear; one showing an image of them in the film next to another image of them at the height of their career.

Throughout the film, there are many moments of singing rehearsals, orchestral sessions and young people being taught to play classical music. Beecham House is more than a retirement home; it is also used for educating young people about classical music and opera singing, which keeps the residents of Beecham House mentally active and happy.

CARING CONFIDANTE: Jean (Maggie Smith) confides in  Cissy (Pauline Collins) about her infidelity that broke Reggie's heart in the film Quartet. Image: The Weinstein Company, Transmission Films.

Highlights of the film include the brief moments of comic interludes and witty lines from Billy Connolly as the flirtatious Wilfred; Pauline Collins is at her comic best as an endearing but ditzy Cissy who never goes anywhere without her bag; Tom Courtenay is in fine form as Reggie who still loves Jean after decades of not seeing her; and Maggie Smith excels at her role of the opera diva and quick tempered Jean. However, the film’s end performances at the benefit gala are worth the wait as they are fabulous and fun.

ROUGH REUNION: Reggie (Tom Courtenay) and Jean (Maggie Smith) find it awkward to reunite after many decades apart in the film Quartet. Image: The Weinstein Company, Transmission Films.

Quartet is a small film with a big heart that many people of all ages can warm to and enjoy. The film shows the realities of growing old such as death, dementia and disease but also the joys of sharing skills, experience and wisdom with the young. There are very few films about senior citizens in love and still living their lives to the fullest while in a retirement home together. American essayist/journalist/satirist Henry Louis Mencken said, “A home is not a mere transient shelter; its essence lies in … the personalities of the people who live in it.” This rings true for Beecham House whose residents fill the home with laughter, love, friendships and music.

REPRISING RIGOLETTO: Wilfred (Billy Connolly), Jean (Maggie Smith), Reggie (Tom Courtenay) and Cissy (Pauline Collins) perform the quartet from Verdi's opera Rigoletto in the film Quartet. Image: The Weinstein Company, Transmission Films.

Director: Dustin Hoffman

Writer: Ronald Harwood (screenplay and stage play)

Cast: Maggie Smith, Tom Courtenay, Billy Connolly, Pauline Collins, Michael Gambon, Sheridan Smith, Trevor Peacock, Andrew Sachs, Dame Gwyneth Jones, Sarah Crowden, Luke Newberry, Patricia Loveland, Eline Powell, David Ryall, Colin Bradbury, Shola Adewusi, Jumayn Hunter, Ronnie Fox, Kent Olesen, Denis Khoroshko

Producers: Christoph Daniel, Marc Schmidheiny, Dario Suter, Finola Dwyer, Christian Baute, Stewart MacKinnon, Nick O’Hagan

Cinematographer: John de Borman

Original Music Composer: Dario Marianelli

Film Editor: Barney Pilling

Production: Andrew McAlpine (Production Designer), Ben Smith (Art Director),  Sarah Whittle (Set Decorator)

Running Time: 1 hour 30 minutes

Reference:
*Mencken, Henry Louis, (1926). Prejudices - Fifth series. London: Octagon Press, 1976.