Showing posts with label Rosemarie DeWitt. Show all posts
Showing posts with label Rosemarie DeWitt. Show all posts

Monday, 8 July 2013

Margaret (2011); drama film review

Poster artwork for the dram film Margaret.

Mourning Margaret by Linh

It took five years for the little independent film Margaret to make it to the cinemas, following a slew of law suits involving director Kenneth Lonergan’s post-production and editing process problems. Lonergan originally planned for a three-hour length film but eventually settled for a two-and- a-half-hour edited version by Martin Scorsese and Thelma Schoonmaker. The result is a beautifully filmed and wonderfully acted film of teenage angst, anger, death and moral responsibility.

DEVASTATION: Lisa (Anna Paquin) comforts a dying Monica (Allison Janney) shortly after the accident in the film Margaret. Image: Fox Searchlight Pictures.

The film is inspired by the poem Spring and Fall by nineteenth century English poet Gerard Manley Hopkins, with the film named after a girl in this poem. The poem has the author addressing a girl (Margaret) about death and decay, as the child cries when the autumn leaves fall from the trees and she mourns the falling leaves as if they were dying. The author comments on how age will alter her innocence so, although she cannot clearly articulate her sadness now due to her tender age, she will come to know the reality and meaning of death and suffering when she is older. Therefore, not only does Margaret learn to understand death, she also becomes aware of her own mortality. These thoughts and emotions are expressed throughout the film’s narrative and reflect the poem’s sentiment beautifully through the portrayal of the character Lisa. Spring and Fall is also read aloud during a scene in the film by Matthew Broderick.


ACCUSED: Bus driver Jason (Mark Ruffalo) approaches the accident scene in the film Margaret. Image: Fox Searchlight Pictures.

The film Margaret opens in a New York high school, with Lisa (Anna Paquin) in Geometry class as her teacher (Matt Damon) hands back test papers, and he wrote the comment “See Me” on her paper. They have a discussion about cheating, with Lisa successfully talking her way out of trouble again. During English class, Lisa again displays her sharp wit. Her father phones to invite her over to his ranch and suggests she take equestrian lessons beforehand. Lisa decides to buy a cowboy hat to take with her to the trip and on the way to the shop, she notices a bus driver (Mark Ruffalo) wearing a cowboy hat. She runs along the road waving and motioning to him about where he bought his hat. As he was gesturing back to her, he ran a red light and drives over a female pedestrian, Monica Paterson (Allison Janney). As Monica dies in Lisa’s arms, Lisa becomes deeply affected by the death, and the aftermath of the incident forms the rest of the film’s narrative. Lisa experiences painful emotional consequences, from confrontations with those involved with the accident to her own irresponsible and risky behaviour, before finally taking responsibility for her role in the accident.

LITIGATION: Emily (Jeannie Berlin), Lisa (Anna Paquin) and Dave (Michael Ealy) discuss the legal procedure for the accident in the film Margaret. Image: Fox Searchlight Pictures.

The performances are excellent, particularly Paquin as the formidable Lisa; Jeannie Berlin is brilliant as Emily, the pragmatic and grieving friend of Monica who helps Lisa with the law suit; J. Smith-Cameron is superb as Lisa’s mother, the Broadway star Joan, whose relationship with Lisa becomes strained as she deals with her own work and new romance with Ramon (French film star Jean Reno); and Mark Ruffalo is wonderful as the bus driver, Jason Maretti Berstone, who is accused for not accepting responsibility for the death. The cameo appearances are equally good with opera singers Renée Fleming, Susan Graham, Christine Goerke, stage and screen actor Allison Janney, and director Kenneth Lonergan.

Margaret may be a lengthy film, but there are so many moments layered with moral and philosophical reflections of personal responsibility, aspects of crime and punishment, that the viewer will likely feel the painful and powerful effect on the characters’ lives.

Director: Kenneth Lonergan

Writers: Kenneth Lonergan (screenplay), Gerard Manley Hopkins (poem)

Cast: Anna Paquin, Matt Damon, Mark Ruffalo, Matthew Broderick, J. Smith-Cameron, Jeannie Berlin, Jean Reno, Rosemarie DeWitt, Kieran Culkin, Olivia Thirlby, Allison Janney, John Gallagher Jnr., Matt Bush, Hina Abdullah, Enid Graham, Michael Ealy, Brittany Underwood, Jake O’Connor, Kenneth Lonergan, Melissa Rocco, Betsy Aidem, Adam Rose, Sarah Steele, Cyrus Hernstadt, Renée Fleming, Susan Graham, Christine Goerke

Producers: Anthony Minghella, Sydney Pollack, Scott Rudin, Blair Breard, Gary Gilbert

Cinematographer: Ryszard Lenczewski

Original Music Composer: Nico Muhly

Film Editors: Anne McCabe, Martin Scorsese (final edit) and Thelma Schoonmaker (final edit)

Production: Dan Leigh (Production Designer), James Donahue (Art Director), Ron von Blomberg (Set Decorator)

Running Time: 2 hours and 30 minutes

Thursday, 23 May 2013

Rachel Getting Married (2008); family drama film review

Poster artwork for the family drama film Rachel Getting Married.

Fractured Family By Linh

Rachel Getting Married sees recovering drug addict Kym Buchman released from a rehab clinic for the weekend, to attend her sister Rachel's wedding. Kym's arrival causes painful memories to resurface and simmering resentment and hurt to erupt as the Buchman family deals with the tragic death of a family member several years ago. Amongst all this, the joyous moments of wedding celebrations continue with a diversity of cultures, eclectic music and quirky yet annoying wedding guests.

FEEL THE RIVALRY: Kym (Anne Hathaway) and Rachel (Rosemarie DeWitt) attempt to get along in the film Rachel Getting Married. Image: Sony Pictures Classics.

Director Jonathan Demme has always loved the freedom, flexibility and limitless imagination involved in independent film-making, so Rachel Getting Married is a labour of love albeit slightly self indulgent for him. Filmed like a home movie yet with a professional polish to the product, Rachel Getting Married sets itself apart from Demme's big studio hits Silence Of The Lambs and Philadelphia. The roving camera cleverly catches the characters unawares giving the film a spontaneous and refreshing appeal.
Jenny Lumet's brilliant original script about a young, selfish and manipulative drug addict, intimate and involving cinematography by Declan Quinn and a cast as complex and diverse as one could imagine, makes Rachel Getting Married a harrowing, compelling and uplifting family drama filled with tears, tantrums, laughter and love.

FEEL THE JOY: Kym (Anne Hathaway), Sidney (Tunde Adebimpe), Rachel (Rosemarie DeWitt) and Kieran (Mather Zickel) pose for a wedding photo in the film Rachel Getting Married. Image: Sony Pictures Classics.

Although not the title character of the film, Anne Hathaway's self-loathing Kym quickly becomes the central character with her uncontrolled outbursts and constant attention-seeking antics.
In one of her more serious acting choices, Anne Hathaway leaves behind her 'tiara' roles (The Princess Diaries and Ella Enchanted) and gives plenty of depth and substance to create a character both pitied and hated. Kym is a challenge to play and Hathaway has done a phenomenal task making the character believable and sometimes empathetic. It's a performance worthy of Hathaway's Academy Award nomination and a win would be fitting. However, she finally won an Oscar for Best Supporting Actress as Fantine in the star-studded musical film adaptation Les Miserables.

Missing out on an Oscar nomination for Best Supporting Actress for her role in this film, Rosemarie DeWitt is superb as the saintly and responsible sister Rachel, who continues to harbour deep hatred for her younger sister Kym whom she blames for a family tragedy. Rachel and Kym's relationship is strained yet Rachel makes an effort to forgive.

Veteran actress Debra Winger (Terms of Endearment, An Officer and a Gentleman) gives an excellent portrayal of the sisters' cold, distant and unforgiving mother, Abby.
Winger adds layers to Abby and gives a subtle and understated performance, with the 'bitch slap' scene between her and Hathaway bringing an emotional shock to the system for both characters.

FEEL THE LOVE: Kieran (Mather Zickel), Kym (Anne Hathaway), Rachel (Rosemarie DeWitt) and Sidney (Tunde Adebimpe) share a group hug in the film Rachel Getting Married. Image: Sony Pictures Classics.

The supporting cast of wedding guests, family and friends include some of director Jonathan Demme's closest friends, and former colleagues who add colour, laughter and fun to the proceedings.
Bill Irwin as the patriarch Paul is gentle and perservering through the family conflicts; Mather Zickel is excellent as the dashing best man Kieran; singer and musician Tunde Adebimpe plays the groom Sidney, who brings out the passion and love in Rachel and Anise George shines in her minor role as Rachel's childhood friend Emma, who reluctantly gives up her role as Maid of Honour for the undeserving Kym.

Rachel Getting Married is a strong character-driven drama which provides heart-warming moments as well as heart-wrenching ones and is a film that makes you feel for and care about the main characters. Though they may irritate, surprise or amuse you, most of the characters leave a long lasting impression.

FEEL THE TENSION: Abby (Debra Winger), Rachel (Rosemarie DeWitt) and Kym (Anne Hathaway) experience a strained mother-daughter relationship in the film Rachel Getting Married. Image: Sony Pictures Classics.

Director: Jonathan Demme 

Writer: Jenny Lumet (screenplay)

Cast: Anne Hathaway, Rosemarie DeWitt, Mather Zickel, Bill Irwin, Anna Deavere Smith, Anisa George, Tunde Adebimpe, Debra Winger
  
Producers: Jonathan Demme, Neda Armian, Carol Cuddy, Elizabeth Hayes, Ilona Herzberg, Marc E. Platt, Innbo Shim, Jared Yeater, H. H. Cooper, Emily Woodburne, Alyssa St. Vincent
 
Original Music Composer: Donald Harrison Jr., Zafer Tawil   
 
Cinematographer: Declan Quinn (Director of Photography)
 
Film Editor: Tim Squyres   

Production: Ford Wheeler (Production Designer), Kim Jennings (Art Director), Chryss Hionis (Set Decorator)

Costume Designer: Susan Lyall

Running Time: 1 hour and 50 minutes