Wednesday, 17 July 2013

West Of Memphis (2012); true crime documentary film review

Poster artwork for the true crime documentary film West Of Memphis.

Fighting For Freedom by Linh

Director/writer/producer Peter Jackson (The Lord of The Rings Trilogy, The Lovely Bones) has always been ready to work on projects that are interesting, meaningful or important to him, so when he and his partner Fran Walsh heard about the 1993 murders of three little boys in West Memphis, Arkansas in America, they wanted to help seek justice for the deceased boys and freedom for the three teenage boys whom they believed were wrongfully convicted and imprisoned for the murders. Director Amy Berg (Deliver Us From Evil, This Is America) came onboard shortly after, and she collaborated with Jackson and Walsh, along with one of the wrongly accused killers, Damien Wayne Echols, and his partner Lorri Davis on this documentary.

In May 1993, the naked and mutilated bodies of three boys, all aged eight, were found in a creek, each were hog-tied (left wrist tied to left ankle with shoelaces and right wrist tied to right ankle with shoelaces). The three boys were local residents of West Memphis and were named Steven Branch, Michael Moore and Christopher Byers. According to the West Memphis Police Department, all three boys were killed as a result of a Satanic ritual and they arrested three suspects – 18 year-old Damien Echols, 17 year-old Jessie Misskelley Jr., and 16 year-old (Charles) Jason Baldwin. All three teenagers were interviewed but it was Misskelley Jr.’s so-called confession, some dodgy testimonies and Medical Examiner Frank Peretti’s dubious claims about Christopher Byers genital mutilation, that swayed the judge’s verdict to find the three teenagers guilty.

TEENAGE TRIO: Police mug shots of the West Memphis Three, Damien Echols, Jessie Misskelley Jr., and Jason Baldwin. Image: West Memphis Police Department.

West Of Memphis is a true crime documentary film inspired by the television documentaries screened on the HBO channel in the USA called Paradise Lost: The Child Murders at Robin Hood Hills, Paradise Lost 2: Revelations and Paradise Lost 3: Purgatory. All three of the television documentaries presented compelling evidence that the three teenagers were framed and are innocent. Jackson appears in West Of Memphis as a supporter of the three imprisoned teenagers, who have become known as the West Memphis Three, and speaks of his horror and disgust at the crime committed and the serious miscarriage of justice against the three teenagers. The film also features Lorri Davis, who married Damien Echols while he was in prison, and her efforts to free him and find the real killer or killers who murdered the three children.

This documentary is mostly in chronological order, with some archival images and interviews from the past that are shown in the present. It chronicles the people affected by the murders, the evidence presented in the murder trial and the aftermath of the wrongful convictions of the West Memphis Three. Following the three tele-documentaries screened on HBO in the US, many grew suspicious and doubtful that the three teenagers were the real killers, as the evidence against them was highly disputable and none of the three teenagers had any motives for the murders. People-power and support from high profile entertainers like Eddie Vedder from rock group Pearl Jam, singer Patti Smith, singer Natalie Maines from the alternative country group The Dixie Chicks, actor Johnny Depp and entertainer Henry Rollins, joined forces to create a campaign to free the West Memphis Three and raised money for the legal funds.

CHILD CASUALTIES: Justice is still being sought for the three murdered boys, Chris Byers, Michael Moore and Steve Branch. Image: Sony Pictures.

West Of Memphis attempts to show a balanced and even-handed approach in its presentation of the evidence, interviews with the friends and family of the murdered children and interviews with the defense and prosecutors for the West Memphis Three. The aim of the documentary is to provide enough evidence to prove the West Memphis Three were wrongly accused and wrongly convicted of the murders and to release them from prison. However, part of the evidence to free the three men includes finding the real killer. This was the difficult part of the film-makers’ task because the identity of the alleged real killer is shown in the documentary film but the defense team for the West Memphis Three have no power to bring any charges against that person. That job is for the prosecution team, who decided to no longer investigate the case following the release of the West Memphis Three.

PASSIONATE PLEA: Defense lawyer Dennis Riordan, Eddie Vedder, Lorri Davis and Natalie Maines present their argument to free the West Memphis Three in an interview with CNN. Image: CNN.

This documentary is disturbing due to the themes of child abuse, miscarriage of justice and it shows actual crime scene footage and photographs of the murder victims when police found them. New information, more forensic tests, new DNA evidence and recent interviews of those who gave false testaments against the West Memphis Three were also shown.  Although the film-makers have succeeded in gaining freedom for the West Memphis Three who spent eighteen years in prison, they are yet to seek justice for the three little boys, whose real killer still walks free. After the end credits roll, the billboard sign featuring the West Memphis Three is shown, accompanied by the words “information is freedom”. A few seconds later, their photos morph into the images of the three dead boys with the words “information is justice”. This summarises the efforts of the film-makers in producing and screening this documentary and suggests the fight is not over.

Director: Amy Berg

Writers: Amy Berg, Billy McMillin

Producers: Amy Berg, Peter Jackson, Fran Walsh, Damien Wayne Echols, Lorri Davis, Ken Kamins, Matthew Dravitzki, Katelyn Howes, Alejandra Riguero, Tina Elmo, Dan Kaplow

Original Music Composers: Nick Cave, Warren Ellis

Cinematographers:  Maryse Alberti, Ronan Killeen

Film Editor: Billy McMillin

Running Time: 2 hours and 25 minutes

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