Poster artwork for the adventure comedy family animated film Up. |
Hitting Humourous Heights by Linh
When
life gets you down, you get yourself up. That’s exactly what retired 78 year
old former balloon salesman Carl Frederickson does in Disney and Pixar’s latest
collaboration Up.
Following
the passing of his beloved wife and childhood sweetheart Ellie, Carl was to be
taken into a retirement home, but he decides to fulfill a promise he made to
Ellie.
They
were going to find Paradise Falls together in South America and place their
house on the edge of the falls, just as Ellie had drawn in her Adventure Book
when she was a teenager.
HIGH FLYERS: Russell comes along for
the adventure of his life unbeknownst to Carl in the film Up. Image: Walt
Disney Pictures, Pixar Animation Studios.
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Carl’s
adventure to ‘the land lost in time’ begins when he ties thousands of coloured
balloons to his fireplace leading out through his chimney, which lifts his
entire house up into the air.
He
is joined by an optimistic and excitable young Wilderness Explorer scout named
Russell, they discover a rare giant rainbow bird which Russell calls Kevin, and
befriends an affectionate golden retriever named Dug.
The
talented vocal cast keeps the film engaging with Edward Asner giving Carl the
‘grumpy old man’ humour; Pixar’s first Asian-American character, Russell, is
voiced by Japanese actor Jordan Nagai, who displays enough innocence,
pluckiness and energy to make his character affable; Christopher Plummer
convinces with his charm to provoke ambiguity in Muntz; writer and co-director
Bob Peterson provides Dug the dog with the goofiness to delight and endear him
to audiences.
ADVENTURE AWAITS: Carl, Russell and Dug
attempt to save Kevin from the nasty Muntz in the film Up. Image: Walt Disney Pictures, Pixar Animation Studios.
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Up is one of Disney/Pixar’s best animated
features, and possesses a maturity in narrative and characterisation not fully
developed or seen in their previous animated films.
Up draws in the audience with action
motivated by emotions and suspense created from the sense of danger the
characters face.
A
few times during Up, the viewer is
drawn into believing things are going well for the characters until something
quite dramatic and emotionally-charged causes abrupt shifts in the situation.
This is a wonderful change compared to other animated films that are
superficially emotive or add superfluous tactics that make the film drag in
parts.
There
are plenty of symbolisms and metaphors to be found throughout Up, including the coloured balloons that
are tied to Carl’s coloured house which in a way resembles Kevin; the numerous
dogs controlled by Charles Muntz seems to represent the relationship between
man and his best friend – the dog; the name Paradise Falls and the place
itself, is where one seeks to fulfil a dream but it comes crashing down, just
as Muntz’s pursuit of rare and exotic flora and fauna led to his downfall.
WILDERNESS WRECKER: Charles Muntz will stop
at nothing until he captures Kevin in the film Up. Image: Walt Disney
Pictures, Pixar Animation Studios.
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My
only gripe is the 3D presentation. Only one third, maybe a bit less, of the
ninety-six minute film is actually in 3D, so the amount of 3D technology shown
in the film falls short of its mark.
Watching
the film again in regular format was no different to the hyped-up 3D version. The
standard 2D format is equally enthralling and still looks amazing. Up is entirely entertaining and
immensely impressive, and won Academy Awards for Best Animated Feature and Best
Achievement in Music.
EXTREME ALTITUDES: Dug, Carl and Russell
head for home after a life-changing adventure in the film Up. Image: Walt Disney Pictures, Pixar Animation Studios.
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Director: Pete Docter, Bob
Peterson
Writers: Bob Peterson (screenplay and story),
Pete Docter (screenplay and story), Tom McCarthy (story)
Voice Cast: Edward Asner,
Christopher Plummer, Jordan Nagai, Bob Peterson, Delroy Lindo, John
Ratzenberger, Elie Docter, Jeremy Leary, Pete Docter, Jerome Ranft, Josh
Colley, David Kaye, Danny Mann
Original Music Composer: Michael Giacchino
Film Editor: Kevin Nolting
Production Designer: Ricky Nierva
Running Time: 1 hour and 36 minutes.
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