Sunday 16 February 2014

12 Years A Slave (2013); historical biographical drama film review


Korean poster artwork for the historical biographical drama film 12 Years A Slave.
Intercepting Injustice by Linh
The film adaptation 12 Years A Slave is based on the true story of Solomon Northup, whose 1853 memoir titled Twelve Years A Slave was used as the original source for the film. Northup was a legally free *negro who was born in New York State but was kidnapped in 1841 to be sold into slavery. The film chronicles the twelve years Northup spent as a slave working in the plantations for different masters and the people he encountered who showed kindness or cruelty towards black slaves.
Director Steve McQueen (Hunger, Shame) is beginning to develop a reputation for films regarding issues or themes of human suffering or afflictions that are riveting and leaves the viewer in silent awe. This film is exceptional despite the few alterations in the story that are made for dramatic effects but do not change the overall sentiments of the original book. 
FAMILY FREEDOM: Solomon Northup (Chiwetel Ejiofor) enjoys life as a legally free negro with his wife Anne (Kelsey Scott), son Alonzo (Cameron
Zeigler) and daughter Margaret (
Quvenzhané Wallis) in the historical biographical drama 12 Years A Slave. Image: Icon Films.
The film begins in Saratoga Springs, New York, in 1841 where a legally free negro named Solomon Northup (Chiwetel Ejiofor), who works as a skilled carpenter and plays the violin, is spending some family time with his wife Anne (Kelsey Scott), son Alonzo (Cameron Zeigler) and daughter Margaret (Quvenzhané Wallis). Later, he meets with his white friend Parker (Rob Steinberg) for business and consequently encounters two white men named Mr. Brown (Scoot McNairy) and Mr. Hamilton (Taran Killam), who offer him a brief and high-paying job as a musician with their travelling circus. Solomon goes to Washington D.C. with Hamilton and Brown where he is drugged, bound and kept in a slave pen, before being transported by ship to New Orleans.  On the ship, there are abducted women and their children, and the negro men tell Solomon that he must be silent, endure the beatings and never reveal he is literate.
Solomon is re-named Platt by the slave traders and sold to a debt-ridden cotton planter named William Ford (Benedict Cumberbatch) who treats him kindly. Another owner named John Tibeats (Paul Dano) feels Solomon is using his carpentry and communication skills to challenge Tibeats’s superiority as a master. Solomon suffers cruelty and ill-treatment at the hands of Tibeats, even being hung by the neck from a tree for many hours, until Ford returned from a trip to release him. Stricken with guilt that he cannot protect his slave from harm, Ford sells Solomon to the notoriously cruel Edwin Epps (Michael Fassbender). Solomon meets a young slave girl named Patsey (Lupita Nyong’o) who is the hardest worker and fastest cotton picker on Epps’s plantation. He witnesses her suffering while enduring his own. She seeks his help in committing suicide but Solomon refuses. He spends a decade working for Epps as a cotton picker, driver, and overseer who must punish fellow slaves for disobeying Epps. While working on a gazebo for Epps, Solomon meets a Canadian carpenter, who is also an abolitionist, named Samuel Bass (Brad Pitt), whose generosity alters Solomon’s life.
SKILLED SLAVE: Solomon/Platt (Chiwetel Ejiofor) is grateful for the kindness of his master Ford (Benedict Cumberbatch) when his other master Tibeats (Paul Dano) attempts wrongfully punish him in the historical biographical drama film 12 Years A Slave. Image: Icon Films.
The performances in this film are excellent, particularly with the subject matter of slavery, where extreme prejudices, cruelty and discrimination are depicted through the strong characterisations and cohesive screenplay.
Chiwetel Ejiofor (Half Of A Yellow Sun,Triple Nine) is outstanding in the lead role of Solomon/Platt and he convincingly portrays a man who never gave up on his fight for freedom and to reunite with his family; the versatile Michael Fassbender (X-Men: Days of Future Past, Frank) who worked with Steve McQueen in Hunger and Shame, provides an admirably stellar performance as the racist and cruel Edwin Epps; Paul Dano (Prisoners, Love and Mercy) is brilliant as the envious bigot John Tibeats, whose insecurities manifests as hatred and rage against his slaves; making her debut in this feature film, Lupita Nyong’o is gentle, vulnerable and sweet as slave girl Patsey, whose inner strength wanes with the sex abuse at the hands of Epps and her attempts to escape result in severe whipping.
Supporting roles are equally impressive including from Sarah Paulson as Mary Epps the jealous wife of Edwin Epps; Paul Giamatti as the conniving slave trader Theophilus Freeman; Alfre Woodard is delightful as Harriet Shaw, the former slave woman who became the wife of a wealthy plantation owner, and an inspiration for Patsey; Benedict Cumberbatch is unforgettable as the benevolent cotton plantation owner William Ford whose kindness towards slaves briefly gives Solomon hope in humanity; Brad Pitt is commendable as carpenter and abolitionist Samuel Bass with a passable Canadian accent for his brief scenes in the film.
SOCIAL STATUS: Patsey (Lupita Nyong'o) greatly admires Harriet Shaw (Afre Woodard) who was formerly enslaved but was able to use her personal powers as a woman to become the wife of a wealthy plantation owner in the historical biography drama film 12 Years A Slave. Image: Icon Films. 
The film depicts common practices related to slavery in the pre-Civil War period such as the treatment of negroes as not possessing any human value, but are seen as objects worth monetary value, therefore can be sold, bought or exchanged; the undressing of negroes and line-ups in the nude, then displayed for potential buyers; using negroes for entertainment purposes such as dancing; black women are seen as property of slave owners so they are at high risk of rape and sexual abuse; children of slave women are often removed from their mother’s care and sent away; treatment of slaves varying from kindness to cruelty with whippings, hangings and mutilations.
MANIPULATIVE MASTER: Edwin Epps (Michael Fassbender) informs his slave Solomon/Platt (Chiwetel Ejiofor) that punishment is inevitable and painful if he is caught escaping in the historical biographical drama film 12 Years A Slave. Image: Icon Films.
12 Years A Slave is mostly about the years of one man in slavery, but is also a shared story for many others who have lived through similar experiences of struggles and indignities associated with slavery. It is a difficult film to watch as it depicts moments in America’s history of injustice, inequality and inhumanity towards a race of people, and this appalling pre-Civil War period may still have emotional resonance for future generations of African Americans. However, it is an important film to watch, in the sense that by witnessing the wrongs of the past, we may learn to right those similar wrongs in the future and attempt to never repeat them.
Director: Steve McQueen
Writers: Solomon Northup (author of memoir Twelve Years A Slave), John Ridley (screenplay)
Cast: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Lupita Nyong’o, Sarah Paulson, Paul Giamatti, Rob Steinberg, Taran Killam, Scoot McNairy, Quvenzhané Wallis, Kelsey Scott, Cameron Zeigler, Afre Woodard, Brad Pitt, Dwight Henry, Ashley Dyke, Deneen Tyler, Bryan Batt, Michael K. Williams, Marcus Lyle Brown, Vivian Fleming-Alvarez, Anwan Glover, Craig Tate, Chris Chalk, Garrett Dillahunt, Adepero Oduye, Eliza J. Bennett, Bill Camp, Ruth Negga, Jay Huguley, Christopher Berry, Devyn A. Tyler
Producers: John Ridley, Bianca Stigter, Tessa Ross, Steve McQueen, Brad Pitt, Dede Gardner, Jeremy Kleiner, Bill Pohland, Arnon Milchan, Anthony Katagas
Original Music Composer: Hans Zimmer
Cinematographer: Sean Bobbitt (Director of Photography)
Film Editor: Joe Walker
Production: Adam Stockhausen (Production Designer), David Stein (Art Direction), Alice Baker (Set Decorator)
Costume Designer: Patricia Norris
Running Time: 2 hours and 15 minutes
*The term negro/negroes is no longer in general use but is used in historical context for this written piece. Negro is a term that may still be used in anthropological or historical studies for academia.

Monday 10 February 2014

Dallas Buyers Club (2013); biographical drama film review


Poster artwork for the biographical drama film Dallas Buyers Club.
 Death-Delaying Drugs by Linh

The biographical drama film Dallas Buyers Club is inspired by true events and loosely based on the years following Texan electrician Ronald Woodroof being diagnosed with HIV in 1986. Woodroof died in 1992 and the film focusses on the last several years of his life being spent researching, smuggling and selling non-approved and illegal drugs used to treat HIV-positive and AIDS patients. Woodroff set up a buyers’ club in Dallas, where he sold various life-prolonging but unapproved drugs to cash-paying members. Other buyer’s clubs were already in existence at the time, but Woodroff’s Dallas buyers’ club frequently ignored warnings from pharmaceutical companies and the US FDA (Food and Drug Administration) on the dangerous side effects of some of the drugs. According to Woodroof, he was battling for survival and ”if it is out there, if I can get my hands on it, if I can buy, bribe, steal or whatever, I will go for it” (Minutaglio 1992).


COWBOY CRUSADER: Ron Woodroof (Matthew McConaughey) attempts to sell his non-approved HIV/AIDS drugs on the streets in the drama film Dallas Buyers Club. Image: Pinnacle Films, Focus Features.

The film is a fictionalised dramatisation drawn from Woodroff’s battle against the FDA to acquire non-approved drugs used to treat himself and other HIV and AIDS patients. The film uses an article featuring Woodroff as a basis for the story, but departs from the original story to include the characters of Dr. Eve Saks and Rayon; and Ron’s sleazy and carefree lifestyle of excessive drug taking, frequent unprotected sex and nightly visits to brothels, nightclubs and bars.

Dallas Buyers Club took twenty years to produce, but was filmed over twenty-five days in Louisiana in 2012 with a small budget of five million dollars. There are many scenes and characters created using artistic license while other aspects of the film reflect true events, such as Woodroof creating and operating a buyers’ club in Dallas, travelling worldwide to seek unapproved medicines, the desperate smuggling of those medicines into the USA, and Woodroof’s lawsuit against the FDA.


COMPASSIONATE CONCERNS: Dr. Eve Saks (Jennifer Garner) has doubts about human trials for a non-approved drug in the drama film Dallas Buyers Club. Image: Pinnacle Films, Focus Features.

The film opens in 1985 with Ron Woodroof (Matthew McConaughey) engaging in sexual intercourse with a woman inside a horse stall at the rodeo, while he watches a rider being kicked down by a bucking bull. Later, Ron places bets for punters at the rodeo but he loses all their money and runs off. Luckily, Ron encounters his police friend Tucker (Steve Zahn), who pretends to arrest him then gives him a ride home. After a wild night of cocaine-snorting, drinking, sex, and a violent confrontation, Ron is late for work the next day. At work, a co-worker has an accident and Ron tries to shut off the electricity but is electrocuted. He wakes up in Dallas Mercy Hospital where Dr. Sevard (Denis O’Hare) and Dr. Eve Saks (Jennifer Garner) inform him he is HIV positive. At the suggestion that he may have had homosexual intercourse, Ron reveals his homophobic nature but is dumbstruck to hear he has thirty days to live. After the initial shock, Ron vows to fight his HIV and live for as long as he could by any means possible.

In a desperate attempt to prolong his life, Ron bribes a hospital orderly (Ian Cassleberry) for the drug AZT, an antiviral which was still being tested in human trials at the time. Unfortunately, Ron’s cocaine-snorting while taking AZT sends him back to hospital. Ron meets Rayon (Jared Leto), a transgender who is also HIV positive and is part of the AZT trials. Despite Ron’s homophobia, he develops a friendship with Rayon after she uses her connections to help him sell unapproved HIV/AIDS drugs to the LGBT community on the streets and at the Dallas buyers’ club. The FDA soon hears of Ron’s buyers’ club flouting the law by continuing to sell non-approved drugs such as compound Q, DDC and the protein Peptide T, so raids are carried out to confiscate non-approved drugs on the premises. Ron launches legal action against the FDA and continues operating his buyers’ club.


PHARMACEUTICAL PURVEYORS: Mr Yamata (Scott Takeda) and Ron Woodroof (Matthew McConaughey) discuss availability of non-approved AIDS treatment in the drama film Dallas Buyers Club. Image: Pinnacle Films, Focus Features.

Dallas Buyers Club is a small independent film that contains nudity, sex scenes, drug use and strong language, which had a limited release in most countries. The film’s casting originally had Brad Pitt or Ryan Gosling in the role of Ron Woodroof and Hilary Swank as Dr. Eve Saks, with Craig Gillespie rumoured to be directing. However, the eventual cast is excellent and the performances were compelling and ripe for awards season.

Matthew McConaughey (Mud, The Wolf of Wall Street) has been a rom-com (romantic comedy) stalwart for many years, and his move into serious dramatic roles in films in recent years proves to be worth the wait. McConaughey shed over twenty kilograms for the role of Ron Woodroof, and his gaunt and slender frame looked very similar to an AIDS patient. He gives a charismatic and crowd-pleasing performance as the homophobic, hustling and foul-mouthed Ron, a crusader for the fight against AIDS and HIV.

Jared Leto (Requiem For A Dream, Fight Club) spends most of his time these days as lead singer and songwriter for his band 30 Seconds To Mars, but he remains an accomplished actor. His portrayal as the transgender Rayon adds to his list of quirky and complex characters that excite, frustrate and are awe-inspiring. Leto also lost weight for his role in Dallas Buyers Club, and is barely recognisable in his role as the fun-loving, gorgeously dressed Rayon.

Jennifer Garner (Draft Day, Imagine) is convincingly practical, smart and compliant as Dr. Eve Saks and she shows compassion towards her patients. Dr. Eve Saks represents doctors and practitioners in the medical establishment who are cautious and concerned about the horrible side effects of drugs being tested for HIV and AIDS research. As Eve reads further literature regarding the non-approved drugs, she begins to understand that some risks are worth taking to save lives.


PECULIAR PARTNERSHIP: Rayon (Jared Leto) agrees to assist Ron Woodroof (Matthew McConaughey) in selling non-approved AIDS drugs to save lives in the drama film Dallas Buyers Club. Image: Pinnacle Films, Focus Features.

Dallas Buyers Club is a wild ride alongside a Texan cowboy whose life journey changes direction when HIV and AIDS become his reality. The film provides a small insight into the early period of the AIDS epidemic from the patients’ perspective and from the viewpoint of the pharmaceutical and FDA administrators in approving AIDS/HIV drugs. The film attempts to realistically depict a generalised fear of AIDS during the 1980s in conservative America by linking it to homosexual intercourse, instead of the research and facts of contracting and preventing AIDS. However, the film’s supporting characters are well utilised to depict the ignorance and fear regarding the issues of AIDS in areas such as unprotected sex, sexuality, and medical establishments working with government agencies to potentially exploit AIDS/HIV patients by charging exorbitant prices for treatment.

Director: Jean-Marc Vallée

Writers: Craig Borten (screenplay), Melisa Wallack (screenplay), Bill Minutaglio (original article)

Cast: Matthew McConaughey, Jennifer Garner, Jared Leto, Denis O’Hare, Steve Zahn, Michael O’Neill, Deneen Tyler, Donna Duplantier, Kevin Rankin, Griffin Dunne, Ian Casselberry, Don Brady, John Tabler, Jane McNeill, Joji Yoshida, Scott Takeda, Tony Bentley, Dallas Roberts, J.D. Evermore, Sean Boyd, Matthew Thompson, James DuMont, Lawrence Turner, Noelle Wilcox, Lucius Falick, Bradford Cox, Carl Palmer, Craig Borten

Producers: Holly Wiersma, Nathan Ross, Cassian Elwes, Nicolas Chartier, Tony Notargiacomo, Logan Levy, David L. Bushell, Zev Foreman, Joe Newcomb, Rachel Winter, Robbie Brenner, Parry Creedon, Michael Sledd

Cinematographer: Yves Bélanger  (Director of Photography)

Film Editors: Martin Pensa, Jean-Marc Vallée

Production: John Paino (Production Designer), Javiera Varas (Art Director), Robert Covelman (Set Decorator)

Costume Designer: Kurt and Bart

Running Time: 2 hours

Reference:


Minutaglio, Bill (1992). Buying Time: World Traveller Ron Woodroof Smuggles Drugs - and Hope - For People With AIDS. Dallas Life Magazine, 9 August 1992.
Accessed on 10 February 2014
 



Monday 3 February 2014

Frozen (2013); animated musical film review


British poster artwork for the animated musical film Frozen.
Snow Sisters by Linh

Disney studios’ animated musical film Frozen is loosely based on Hans Christian Andersen’s fairy tale The Snow Queen, with music and songs composed by husband-and-wife team Robert Lopez and Kristen Anderson-Lopez. The song ‘Let It Go’, sung by Idina Menzel who voices Elsa in the film, has received numerous accolades, and is one of the highlights depicting a crucial turning point for the character Elsa. In this film, there are the usual elements of princesses, princes, magical powers and funny characters for comic relief. There are also differences, compared to the predictable Disney princess films in the past, such as two female lead characters with male characters in supporting roles, more mature themes and messages, and no happily-ever-after wedding. Just like Disney’s hybrid animated-live action musical film Enchanted, Frozen takes on the traditional roles and expectations of women and men by appropriating them for the twenty-first century.

ADVENTUROUS ANNA: Anna (Kristen Bell) is the lively and extroverted of the sisters in Arendelle in the animated musical film Frozen. Image: Walt Disney Pictures.
The film begins on a cold winter evening, when a very young boy, Kristoff, and his pet baby reindeer named Sven, join a group of men gathering blocks of ice from a fjord to sell. Later that night in the kingdom of Arendelle, a five-year old princess named Anna, pronounced Ahna, (Livvy Stubenrauch, Katie Lopez) wakes her eight-year old sister, princess Elsa (Eva Bella), so they can play using Elsa’s magic. Elsa’s magic enables her to create snow and ice at will, using her hands and imagination. She was born with these mysterious powers and each day, her magic grows stronger. When Elsa agrees to play with Anna, they build a snowman, which they name Olaf “who likes warm hugs”, and Elsa turns the ballroom into a winter wonderland. As they play, Anna urges Elsa to work her magic faster. Elsa is unable to keep up with Anna’s quick movements, and she accidentally hits Anna on the head with her magic. As Anna lies unconscious on the floor, a white streak appears in her hair. Elsa is distraught and the King (Maurice LaMarche) and Queen (Jennifer Lee) take Anna to be cured by trolls, who take away all of Anna’s memories about Elsa’s magical abilities. The King and Queen tell Elsa to never use her magic and must repress all her magic to ensure she never hurts anyone again.

Ten years later, the King and Queen die at sea during a violent storm, which capsizes their ship. Their deaths leave Anna (Agatha Lee Monn) lonelier as Elsa (Spencer Lacey Ganus) continues to isolate herself by staying inside her bedroom, never coming out in case her magic hurts someone. Three years pass, and twenty-one year old Elsa (Idina Menzel) is to be crowned at her coronation ceremony as Queen of Arendelle, and Anna (Kristen Bell) is excited that the palace gates will finally be open after many years. At this stage, Elsa’s magic has become very powerful that it takes her plenty of energy and mental fortitude to control it. That same day, Anna meets Prince Hans (Santino Fontana) and they instantly fall in love and decide to get married. Elsa disapproves of Anna marrying someone whom she met only a few hours ago, which upsets Anna. As Anna and Elsa argue, Elsa’s powers erupt and this frightens the guests and palace staff, who begin to think she is a monster and witch. She flees Arendelle and unknowingly turns the summer into winter, with fjords freezing into solid ice, snow falling consistently and a blizzard on the way. Anna goes searching for Elsa, leaving Hans in charge. On her journey, Anna encounters Kristoff the iceman (Jonathan Groff), who sells ice for a living, and his reindeer friend Sven; the snowman from her childhood named Olaf (Josh Gad); and a jolly community of trolls whom Kristoff calls the love experts and his adoptive family.

MARRIAGE MOTIVES: Prince Hans (Santino Fontana) of the Southern Isles seeks a bride and he chooses Princess Anna (Kristen Bell) in the animated musical film Frozen. Image: Walt Disney Pictures.
The voice cast of Frozen is excellent and the songs are delightful and humourous, particularly Olaf’s song ‘In Summer’ and the trolls’ ensemble song ‘Fixer Upper’. Idina Menzel appeared as a live action and an animated character in Enchanted, and she is wonderful in Frozen as Queen Elsa; Kristen Bell is not known for her singing, but her singing voice is gorgeous as the tomboy princess Anna; Josh Gad is hilarious and endearing as Olaf the snowman; Jonathan Groff is affable as Kristoff the iceman, with a sound voice of reason and kind heart; Santino Fontana is wonderfully suave as Prince Hans, whose motives of marrying Anna are questionable.


MAGICAL MANOEUVRES: Queen Elsa (Idina Menzel) flees Arendelle and builds an ice castle with her magic as she sings the song 'Let It Go' in the animated musical film Frozen. Image: Walt Disney Pictures.
The events in the film happen quickly, however, this is supported by repetition in the sense that childhood elements are revisited and characters return. For example, the snowman Olaf, which the princesses built when they were younger; and the return of Kristoff, Sven and the trolls. Even though the film’s colour palette for the backgrounds are mostly white, grey or pale blue, there is plenty to marvel at onscreen. For example, the ice crystals forming on the trees and leaves, the sparkling effect of the ice in the daytime and the aurora borealis or northern lights in the night sky.

The characterisations in Disney animated films are becoming more complex and interesting as the writers and animators make the characters believable and memorable. Cynically speaking, this is an obvious marketing ploy to attract younger viewers to the characters so they will urge parents to buy various merchandise related to the film. In relation to the film’s success and appeal, these characters embody genuine human afflictions and tackle issues that contemporary audiences can relate to and empathise with, despite being set in a fictional world. 

SUMMER SNOW: Olaf the snowman (Josh Gad) has never experienced summer or heat before so he imagines what summer is like as he sings 'In Summer' in the animated musical film Frozen. Image: Walt Disney Pictures.
As with many Disney animated films, the messages are for young viewers to contemplate but these days, adult viewers can re-discover the joys of Disney films as the messages and themes also appeal to adults. In Frozen, there are two prominent messages, one for each sister, with themes of family, friendship and trust. These themes are linked to the messages of love and self-sacrifice, in which Elsa must overcome her fear (of being hurt by others and hurting others) by learning to love again; and Anna must learn that an act of true love is not only for oneself, but also for others as an act of self-sacrifice.

Frozen can be viewed as depicting feminist ideals through the two lead female characters, but also showing traditional family values associated with women. This does not make the male characters less important, but gives males a different perspective of masculinity in a supportive manner to assist women. In similar ways to Enchanted and Tangled, this film is another example from Disney that reflects the changing attitudes and expectations for the status of women and men in contemporary societies. 

MONSTER MARSHMALLOW: In a moment of fear when she was under attack, Elsa created a giant snow monster to protect her in the animated musical film Frozen. Image: Walt Disney Pictures.
Viewers who stay seated for the end credits of Frozen, are rewarded with a 15-second short featuring Elsa's giant snow monster whom Olaf named Marshmallow; and a funny disclaimer in the end credits about Kristoff's views and opinions that "all men pick their nose then eat their booger" which does not reflect those of the film-makers.


Directors: Chris Buck, Jennifer Lee

Writers: Hans Christian Andersen (original story The Snow Queen), Jennifer Lee (screenplay and story), Chris Buck (story), Shane Morris (story)

Voice Cast: Idina Menzel, Kristen Bell, Jonathan Groff, Josh Gad, Santino Fontana, Alan Tudyk, Ciarán Hinds, Chris Williams, Marice LaMarche, Jennifer Lee, Maia Wilson, Livvy Stubenrauch, Katie Lopez, Agatha Lee Monn, Spencer Lacey Ganus), Eva Bella, Edie McClurg, Robert Pine, Stephen J. Anderson, Nicholas Guest, Jean Gilpin

Producers: John Lasseter, Aimee Scribner, Peter Del Vecho

Original Music Composers: Christophe Beck (score), Robert Lopez (song lyrics and music), Kristen Anderson-Lopez (song lyrics and music)

Film Editor: Jeff Draheim

Production: Michael Giaimo (Art Director), David Womersley (Production Designer)

Running Time: 1 hour and 40 minutes